Blue Notes

If you want to play any kind of American vernacular music - blues, jazz, rock, country, gospel, folk, etc - then you're going to need to be able to use blue notes. There are many different confusing and contradictary notions of what a blue note is. I define a blue note as a microtonal pitch in between a blues scale note and a neighboring major scale note.

First of all, here's a comparison of the C major scale and the C blues scale. Notes in red notes are 'non-diatonic', meaning not native to C major.

C major scale

C
--
D
--
E
F
--
G
--
A
--
B
1
--
2
--
3
4
--
5
--
6
--
7

C blues scale

C
--
--
Eb
--
F
F#
G
--
--
Bb
--
1
--
--
b3
--
IV
#4
V
--
--
b7
--

C major plus C blues

C
--
D
Eb
E
F
F#
G
--
A
Bb
B
1
--
2
b3
3
4
#4
5
--
6
b7
7

As you can see, there are three notes in the blues scale not found in the major scale: the flat third, the sharp fourth (or flat fifth), and the flat seventh. (They're the red ones above.) The flat third and seventh give the blues scale its tragic feeling, and the very dissonant sharp fourth makes it unsettling and dark. Some people refer to these notes as blue notes, but I don't think that's correct. Blue notes are microtonal pitches in between the three characteristic blues scale notes and the nearest major scale pitches. They fall between the piano keys.

C
--
D
blue
note
Eb
blue
note
E
F
blue
note
F#
blue
note
G
--
A
blue
note
Bb
blue
note
B
1
--
2
b3
3
4
#4
5
--
6
b7
7

The precise pitch of a blue note is up to the individual musician, and it can be different every time, according to the musician's emotion at that moment. Hitting a blue note is almost always an intuitive and unconscious act. All good blues, jazz, country and rock singers use blue notes routinely. They're also bread and butter for guitarists, especially slide guitarists. Other instruments that use microtones in American music: bass, banjo, harmonica, the various brass (especially trombone), reeds, strings, and synthesizers with pitch bend wheels. It's impossible to play blue notes on the piano, so pianists approximate them by playing adjacent keys, for example F and F sharp.

The microtones between other standard pitches show up very occasionally as well. Harmonica players sometimes use a slightly flattened C, D or A in the key of C, and guitarists will bend any note so that it's slightly sharp when playing very emotionally and emphatically. Microtones are part of many other world cultures, from Indian sitar players to klezmer clarinetists. What's the difference between a microtone and a note that's just plain out of tune? Let your ear decide.

 

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