Why is this funny? I don’t know, but it is. Here’s the background. It means nothing, is a reference to nothing. That is so much better than if it was an in-joke. Does this have musical potential? I applied some Ableton audio-to-MIDI to find out. We’re Just Normal Men by Ethan Hein
Author Archives: Ethan
Frequency and EQ
EQ (equalization) plugins are volume controls for specific parts of the frequency spectrum. Every DAW, mixing board and guitar amp has EQ controls, and they can radically transform your sounds. But while EQ is an essential part of audio engineering, it is also a source of confusion for beginners. In this post, I lay out …
Why did 13th century Europeans think that major sixths were dissonant?
In Adam Neely’s new video, he responds to a question about how “the major sixth was illegal in the Renaissance.” This isn’t quite true, they liked major sixths fine in the Renaissance, but it is true that medieval theorists considered them to be dissonant. Adam quotes an anonymous medieval music theorist who called the sixth …
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St Stephen
St Stephen might be the most “Grateful Dead” of Grateful Dead songs, the one that (for better or worse) sounds the most like them and the most unlike anyone else. It’s a cliche with the Dead to say that the live version is better than the studio version, but in the case of “St Stephen”, …
A nice thing happened with my music theory songs
A Twitter acquaintance wrote me this series of DMs: I am so glad he had that reaction. I haven’t been pushing my music theory songs too hard because I wasn’t sure about their value to anyone other than me. I did use some of them in my New School music theory class last semester, but …
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Eye Know
Next fall, I’m teaching a class on musical copyright, ownership and borrowing at the New School. I will for sure be talking about De La Soul’s creative use of samples, including a deep dive into “Eye Know” from 3 Feet High and Rising. This magnificent groove was stitched together from five different records. I list …
The Man Who Sold The World
One of my older kid’s hipster friends introduced him to “The Man Who Sold The World” and he is super into it at the moment. I have been a Bowie fan since forever, but this song was slow to win me over. I have learned to love the song, but I struggle to connect to …
Life On Mars?
I’m writing about this song at the request of my friend Benjie de la Fuente, but also because my kids like it. (They have liked David Bowie since seeing Labyrinth, but now they’re getting interested in his non-Labyrinth music too.) It makes sense that this tune would seize my son’s imagination, because he likes classical …
RIP Wayne Shorter
In 2013, Wayne Shorter said, “The word ‘jazz’ to me only means ‘I dare you.’” I love Wayne’s playing and writing without always understanding it. I got exposed to both via Miles Davis, who put Wayne’s tunes at the center of his late 1960s albums. Here’s “Orbits” from Miles Smiles. And here’s an orchestral arrangement …
For No One
The Beatles were not always a rock band, especially not when it came to the Paul songs. This is a frequently cited example of baroque pop, a cousin of “Eleanor Rigby” and “She’s Leaving Home.” Paul is playing piano and clavichord, Ringo plays drums and maracas, and the delightfully-named Alan Civil plays the French horn. …