I have been teaching songwriting for a lot of years as a means to other ends: with my private guitar and production students, with my music tech students, with my music education students, with my music theory students. But this semester at The New School, I get to teach my first actual songwriting class whose …
Author Archives: Ethan
My year in writing
I wrote a lot of stuff this year! First, let’s talk about the big projects that I started in previous years but finished in 2022. The biggest one was my doctoral dissertation. Read the story of it here. Now I’m in the gradual process of adapting it into a more accessible format, probably a book …
New book chapter on critical race theory in music education
I’m proud to announce the publication of A Music Pedagogy for Our Time: Conversation and Critique, edited by Frank Abrahams. Frank and I co-authored a chapter on critical race theory in music education. Check it out!
Just intonation harmonicas
A commenter on the last post informed me of a remarkable fact: for most of the twentieth century, Hohner harmonicas were tuned in just intonation, not twelve-tone equal temperament. This is surprising! Just about every fixed-pitch instrument in the Western world is tuned in 12-TET unless it’s highly specialized or esoteric. The most detailed information …
Check out this excellent blue note
I got a question from a Twitter friend: Oh @ethanhein, a blues tonality Q for you: On Muddy Waters’s “Double Trouble,” on the LP Sings Big Bill, James Cotton opens his harp solo w/a note so ripe it almost derails the record —yet somehow it works. My Q: what makes that note so bracing? Link: …
I Want To Hold Your Hand
My kids are deep into the Beatles right now, and unlike me, they like the early stuff as much as the late stuff. So I find myself listening repeatedly to “I Want To Hold Your Hand” for the first time in basically forever. As with so many Beatles songs, the silly lyrics are sitting on …
I Heard It Through The Grapevine
My first exposure to Marvin Gaye’s recording of “I Heard It Through the Grapevine” was on the Big Chill soundtrack, which my baby boomer parents kept in heavy rotation. Here’s a live version. Nobody wore a glittery tux like Marvin Gaye.
Dorian mode
Dorian mode is such a cool scale. It evokes medieval chant and the blues. Its characteristic minor sixth chord is almost a diminished chord. And it’s unique among the diatonic modes for being symmetrical, meaning that it uses the same sequence of intervals going up and down. When you write Dorian on the chromatic circle, …
The Ghostbusters theme song
It’s Halloween, and that means that everyone is scrambling to find seasonal music beyond Michael Jackson’s “Thriller.” In the pharmacy this morning, I heard “Ghostbusters” by Ray Parker Jr, and remembered that it’s an absolute banger. This is one of a long list of songs that I loved as a kid, became embarrassed by as a …
Blues harmony primer
For a more detailed and scholarly version of this guide with a bibliography, see my Blues Tonality treatise. See also this post on blues melodies. How do chords and scales work in the blues? Is there a “blues scale”, and if so, what notes does it include? What are blue notes? Why does it sound …