When I teach remixes in music tech class, I like to make the analogy to radical jazz arrangements of standards. Technically, John Coltrane’s version of “My Favorite Things” is not a remix of the version from The Sound of Music, but it occupies the same cultural role as a remix. (In fact, I just accidentally …
Author Archives: Ethan
Dilla Time in “Chameleon”
After reading and re-reading Dan Charnas’ Dilla Time, now I’m listening to music with new attention to rhythmic subtleties. I have especially been digging into the relationship between J Dilla and Herbie Hancock–Dilla sampled Herbie on “Get Dis Money” and “Zen Guitar.” That digging made me go back to my favorite Herbie tune with fresh …
Watermelon Man
As part of my current J Dilla binge, I was excited to find a track where he flips a Herbie Hancock sample (no, not “Come Running To Me“, though that one is great too.) This sent me down a rabbit hole with “Watermelon Man.” This track has had quite a journey, both in its prehistory and …
What the heck is a decibel
If you are a musician or audio engineer, it is very important to know what decibels are. Unfortunately, decibels are extremely confusing. For one thing, there are so many different kinds of decibels! You only care about two of them: the decibels you see on a noise meter, and the decibels you see on a …
Get Dis Money
Since reading Dilla Time, I have been listening to J Dilla nonstop. In particular, I keep coming back to “Get Dis Money” by Slum Village. I first heard it on the Office Space soundtrack. It didn’t really grab me at first. In fairness to me, it’s a pretty weird piece of music! Let’s dig in.
Dilla Time
I recently finished reading Dan Charnas’ book Dilla Time. It’s a good one! If you are interested in how hip-hop works, you should read it. The book’s major musicological insight is elegantly summed up by this image: “Straight time” means that the rhythms are evenly spaced and metronomic, like a clock ticking. (Think of a …
Aural Skills for Audio Engineers
Montclair State University asked me to develop and possibly teach a class on aural skills for audio engineers. It’s a great idea! It isn’t just audio engineers who need to know what frequencies and decibels are. These are concepts that any musician would benefit from knowing. Here’s my first pass at a course outline. The …
I wrote another rap song to inspire my Pop Practicum students
I’m making my students in the NYU Popular Music Practicum write and perform original rap verses. To encourage them, I wrote one too, like I did last year. The samples are from Erroll Garner’s recording of “Close To You” by the Carpenters.
Designing learning experiences with music technology: good for whom, good for what?
In my Technology Trends in Music Education class at NYU, we are asking one main question: how do you know whether a technological tool is helpful for music learning and expression? How do you assess it? To find the answer, you first have to be clear about your pedagogical goals, and that is not easy …
Hidden Place
At the request of Wenatchee the Hatchet, and also following my own long-standing interest, I took a dive into the opening track from Björk’s exquisite album Vespertine: I love Björk for so many reasons. A big one is her ability to make weird ideas sound approachable, which is closely related to her ability to make …