Diminished seventh chords are strange creatures: a cliche for Dracula’s castle, but also a cornerstone of the blues. They are also difficult to understand. The good news is that in any given key, there are only three possible diminished seventh chords: the one whose root is the tonic of the key, the one whose root …
Continue reading “The three diminished chords: blues, jazz and classical”
I have mixed feelings about the Kronos Quartet arrangement of “Purple Haze” by Jimi Hendrix. On the one hand, it’s cool that they even attempted it. On the other hand, is the attempt successful? It’s great that they’re taking advantage of the violin’s pitch continuum to do all the blue notes and guitaristic bends and …
Let’s say you have two chords, G7 and C. According to Western classical theory, these two chords establish that you are in the key of C. The G7 is tense and unresolved, and it makes you yearn for the calm stability of C. Music theory resources are full of language about how dominant seventh chords …
Ashanti Mills from my Patreon had a brilliant idea. He said, hey, you know how you combined interviews with Toni Blackman with hip-hop songs to explain hip-hop pedagogy? You should do that with music theory: have songs that explain their musical content to you. This is one of those ideas that seems obvious as soon …
One of the most powerful music theory concepts you can learn is how to make chords from scales. If you learn a few scales, then you get a whole bunch of chords for free. The specifics of all the chord names can be complicated and daunting. But the concept of constructing them is very simple. …
The Genius of the Electric Guitar is an aptly-named compilation of studio recordings that Charlie Christian made with Benny Goodman between 1939 and 1941. The album includes a couple of informal studio jams recorded while Goodman’s band was waiting for their leader to show up. Both jams have self-explanatory titles: “Blues in B” and “Waiting …
This post was published in the Journal of Popular Music Education! Pierre Schaeffer and DJ Premier Introduction Digital audio workstation software, recording equipment and MIDI controllers have become steadily less expensive and easier to learn over the past two decades. As a result, it has become possible for schools at all levels to offer “an …
Continue reading “The politics is in the drums: Producing and composing in the music classroom”
One of the most intense and arresting recordings I have ever heard is Howlin’ Wolf’s recording of “Spoonful” by Willie Dixon. This is on my list of classic songs with no chord changes, along with “Chain of Fools” by Aretha Franklin, “India” by John Coltrane, “I’m Bad Like Jesse James” by John Lee Hooker, “Papa Was …
We all love This Is Spin̈al Tap, but you’re not supposed to take it literally. Nevertheless, this very silly Rolling Stone article tries to prove Nigel right. The author is a doctoral student in quantitative methods. She should probably have asked a music theorist about this before publishing it, or really any musical person. I …
Continue reading “No, Rolling Stone, D minor is not the saddest of all keys”
I’m spending this month in California with my in-laws, and so naturally I went searching my iTunes for thematically appropriate songs. One of the results was this exquisite Lightnin’ Hopkins recording. Here’s my visualization using Ableton Live. I tuned the recording up a half step so that it’s in A rather than A-flat, which makes …
