I mainly grew up in a classical radio type of household, but my folks had a couple of jazz albums too, including Duke’s Memories by Abdullah Ibrahim. It included an obscure Ellington tune called “Way Way Back.” The melody is elegantly simple, and reveals greater depth with each listen. When I was in sixth grade, …
Continue reading “I was weirdly obsessed with this jazz tune when I was twelve”
I wrote a book with Will Kuhn and now it exists in real life! You can buy it from Oxford University Press, Amazon, Powell’s, Apple Books, and many other places. The foreword is by Adam Neely. Electronic Music School is a complete guide to starting and running a creative music technology program. We include many …
Here is a visualization of all the scales in the aQWERTYon, organized by the way I personally conceptualize them. This does not represent every scale in the world, just a broad selection of the ones in common usage in pop, rock, R&B, hip-hop, jazz, and film and game music. I group scales into three broad …
In this post, I’m going to expand on an idea in my blues tonality treatise: that the distinctive scales and chords of the blues are an approximation of African-descended tuning systems based on the natural overtone series. Gerhard Kubik argues in his book Africa and the Blues that blues tonality comes from the overtone series …
So far, I have resisted writing about Robert Johnson on this blog. I love Robert Johnson, but it feels so corny to be yet another a white dude rhapsodizing about him. However, Robert Johnson is so sublimely great that he leaves me no choice. Robert Johnson’s life is famously not well documented, and his fans …
I have been doing a major overhaul of my blues tonality post. It now cites more literature and has a more logical structure. The post is my best attempt at a complete description of blues harmony, its history, and its role (or lack thereof) in music theory pedagogy. I hope you find it useful.
Here’s one of the heaviest and most wonderful recordings ever made. The song is so mysterious, so intense, so ancient-sounding yet so fresh. John Lee Hooker recorded it in 1948 at United Sound Systems in Detroit. (He re-recorded it many more times afterwards.) It went to number one on the R&B chart, which is pretty …
My stepfather died a year and a half ago, but thanks to the pandemic, we’re only now able to have a memorial service for him. My sister, stepsiblings and I are going to sing a Grateful Dead classic: For me, “Brokedown Palace” represents the high point of the Dead’s acoustic folkie side. On American Beauty, …
Lorde has a new song. If you are a George Michael fan, parts of it will sound very familiar! The guitar part in the first verse is strongly reminiscent of the one in “Faith.” But people seem to be mainly worked up about the similarities in the overall rhythmic groove and chord changes to the …
That’s JAMS as in the Journal of the American Musicological Society. I wrote a review of Ableton Live 11 as a tool for musicology and education for their new issue. Email me if you don’t have university library access and I’ll send you a PDF.
