As I struggle my way through the Bach Chaconne on guitar, I’m having to work around the fact that I am great at music theory but terrible at note reading. So before I could play the piece, I had to completely understand it and be able to feel it by ear. The only way I …
Continue reading “What if the Bach Chaconne was modal jazz?”
You can now read this post in Spanish on Deviolines I have been spending much of my free time during the pandemic learning how to play the Bach Chaconne on guitar, drawing heavily on Rodolfo Betancourt’s transcription. Here’s Christopher Parkening doing my favorite interpretation by a guitarist (I do not sound remotely like this): This …
The current episode of Robby Burns’ podcast features Will Kuhn and myself talking about our book, our philosophy of music education, and our opinions about Star Trek. We talk a lot about Star Trek at the beginning. If you are not interested in Star Trek, feel free to skip ahead.
Is this the coolest music that has ever been recorded? I don’t mean cool in the sense of fashionable (though it is) or appealing (though it is), I mean it in the sense of laconic confidence in its bad self. Booker T and the MGs recorded the tune without a title, and then when the …
The Electronic Music School promotional tour kicks off with an appearance on the MusicFirst Podcast, hosted by our old friend and MusicFirst founder Dr Jim Frankel. Enjoy the mellifluous sound of my new Shure SM7B.
My man Adam has a word: Music is the universal language the same way English is, in that it isn't — Adam Neely (@its_adamneely) May 3, 2021 I can prove this with an example from my own life. When I was younger I got interested in my Jewish heritage and spent a couple of years …
Continue reading “Music is not a universal language and this klezmer song proves it”
Here it is, the most stupendous entry in The Art of Fugue. Its three themes are inversions of the ones in Contrapunctus VIII, meaning that they have the same rhythms and intervals but are upside down. Bach also added lots of subthemes and counterthemes. I used Ableton Live to visualize Angela Hewitt’s recording, drawing extensively …
In this post, I’m digging deeper into Bach’s The Art of Fugue with Contrapunctus VIII. It’s way more complex and intense than Contrapunctus I. I used Ableton Live to line up a MIDI file of the piece with Angela Hewitt’s recording, and then color-coded and annotated it to show the structure, the harmony, the subjects …
The hardest songwriting assignment I’m giving to the NYU Pop Music Practicum is to write and record a short original rap verse. The students come from classical, jazz and musical theater backgrounds, and while many of them enjoy listening to rap, almost none have tried making it. So we are all outside of our comfort …
Continue reading “I am making my students write raps and I wrote one too”
JS Bach’s last set of works, collectively titled The Art of Fugue, was published shortly after his death. It was not a big hit. Dense counterpoint was deeply unfashionable at that time, as Western European aristocratic tastes shifted toward singable melodies over block chords. The first published edition of The Art of Fugue only sold …
