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Author Archives: Ethan
Can science make a better music theory?
My last post discussed how we should be deriving music theory from empirical observation of what people like using ethnomusicology. Another good strategy would be to derive music theory from observation of what’s going on between our ears. Daniel Shawcross Wilkerson has attempted just that in his essay, Harmony Explained: Progress Towards A Scientific Theory …
Toward a better music theory
Update: a version of this post appeared on Slate.com. I seem to have touched a nerve with my rant about the conventional teaching of music theory and how poorly it serves practicing musicians. I thought it would be a good idea to follow that up with some ideas for how to make music theory more …
My collection of transcribed rhythm patterns
For my thesis, I’ve been gathering good drum machine patterns: classic breakbeats, genre templates and Afro-Cuban rhythms. Here they are, enjoy.
Analyzing the musical structure of “Sledgehammer” by Peter Gabriel
We’re asking participants in Play With Your Music to create musical structure graphs of their favorite songs. These are diagrams showing the different sections of the song and where its component sounds enter and exit. In order to create these graphs, you have to listen to the song deeply and analytically, probably many times. It’s …
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Teaching audio and MIDI editing in the MOOC
This is the fifth in a series of posts documenting the development of Play With Your Music, a music production MOOC jointly presented by P2PU, NYU and MIT. See also the first, second, third and fourth posts. Soundation uses the same basic interface paradigm as other audio recording and editing programs like Pro Tools and …
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Teaching expressive use of audio effects in the MOOC
This is the fourth in a series of posts documenting the development of Play With Your Music, a music production MOOC jointly presented by P2PU, NYU and MIT. See also the first, second and third posts. After PWYM participants have tried mixing using just levels and panning, the next step is to include audio effects …
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Teaching mixing in a MOOC
This is the third in a series of posts documenting the development of Play With Your Music, a music production MOOC jointly presented by P2PU, NYU and MIT. See also the first and second posts. So, you’ve learned how to listen closely and analytically. The next step is to get your hands on some multitrack …
Play With Your Music curriculum design – learning to listen
This is the second in a series of posts documenting the development of Play With Your Music, a music production MOOC jointly presented by P2PU, NYU and MIT. Read the first post here. Alex is fond of the phrase “pedagogies of timbre and space.” By that, he means: ways of studying those aspects of recorded …
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Designing a music production MOOC
In my capacity as a research assistant to Alex Ruthmann, I’ve been getting to work on a bunch of cool projects. The first one to come to fruition is a MOOC (massively open online course) about music production. It’s called Play With Your Music, and it starts November 1st. The project is spearheaded by the …