The word “groovy” originates in jazz slang, referring to music that’s swinging, tight, funky, in the pocket. The analogy is to the groove in a vinyl record — the musicians are so together that it’s like they’re the needle guided by the groove. The “groove” becomes generalized to any good rhythm, passage, or entire piece …
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The trumpet player Nicholas Peyton wrote a blog post recently: On Why Jazz Isn’t Cool Anymore. It’s a must-read for anyone interested in the future of the art form. If jazz is ever going to be popular again, it needs to regain its cool. Jazz was popular when it was intimately connected to popular culture. …
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The more I learn about biology, the less I believe in free will. All of our behavior results from a bunch of molecules bouncing around according to the laws of quantum mechanics. Seen that way, we don’t have any more free will than pebbles being tumbled down a river. We think we have free will …
Ella Fitzgerald lost some of her range as she got older, but her soul and phrasing got deeper and deeper. The series of duet albums she did with Joe Pass late in her life are exquisite. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/dnYnpApOkQg” frameborder=”0″ allowfullscreen]
There’s a certain jazz lick that’s so heavily used that it’s just known as The Lick. It’s the only jazz lick I know of that has its own Facebook page. Here’s a greatest hits compilation: Update: now there’s a volume two!
The best remix/mashup tool that I’ve used is Ableton Live. For many years I used a combination of Recycle, Reason and Pro Tools, which was cumbersome and labor-intensive. Ableton handles the same tasks more easily and has a bunch of cool effects the other programs don’t.
Every so often I like to document my ever-evolving internet presence. Here’s how things stand at the moment. Click the flowchart to see it bigger; explanation is below.
For my tastes, you can’t beat the Ellington Nutcracker. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/ONknTGUckKc” frameborder=”0″ allowfullscreen] Ellington’s Peer Gynt suite is also pretty wonderful. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/1mne1rQ0rcw” frameborder=”0″ allowfullscreen] This one has inspired some remixing from me. [iframe_loader width=”100%” height=”166″ scrolling=”no” frameborder=”no” src=”http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F12726693&auto_play=false&show_artwork=true&color=ff7700″]
My friend Jenny manages an electronica duo called Donner Social, and she asked me to review their EP, The Archetype For Defeat. Here are some tracks to give you the flavor. [iframe_loader width=”100%” height=”450″ scrolling=”no” frameborder=”no” src=”http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F676244&auto_play=false&show_artwork=true&color=ff7700″]
I know this melody as the cartoon snakecharmer song. Here’s a kid playing it on bass clarinet: I’ve always wondered where the Egyptian melody came from. It turns out to be hundreds of years of old, and goes by many different names. You can find an excellent capsule history of it in William Benzon’s book …
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