Counterpoint is a musical technique that combines two or more independent melody lines. It’s one of the characteristic sounds of Western classical music. Bach wrote a ton of it. But counterpoint isn’t always so complicated. Any song that has a vocal melody with a bassline underneath is an example of counterpoint. If you have ever …
Category Archives: Composition
Harmonica Meditation
This post is something new for me: an online prose score, in the spirit of Pauline Oliveros. Harmonica Meditation For unaccompanied ten-hole diatonic harmonica, in any key. Exhale completely. Put the harmonica to your mouth and take a deep breath all the way in, as slowly as you can. I recommend starting at the low …
Metrical dissonance in the Gigue from Bach’s E minor English Suite
I’m continuing my journey through rhythmic analyses of canonical classical works with Metrical Displacement and Metrically Dissonant Hemiolas by Channan Willner. One of the pieces that Willner analyzes is the Gigue from Bach’s English Suite No. 5 in E minor, played here by Glenn Gould.
Syncopation in Chopin
I’m trying to get better at understanding classical music, ideally without doing too much Schenkerian analysis. I can hunt for cadences as well as anyone who’s been to music school, and I understand how important they are as structural elements in the Western canon. But there’s more to this music than harmony. It has rhythm …
The Amen Break of snobbery
Garrett Schumann posted on Twitter about Luigi Boccherini‘s String Quintet in E major, Op 11 No 5, one of the great one-hit wonders of the Western canon. I didn’t recognize the title and composer, but the music itself was instantly familiar to me as a film score cliche signifying classiness. When I posted that observation, …
Let’s argue about this one weird chord in the Brahms Intermezzo in B-flat minor
I have some aspirations in music theory pedagogy, and toward that end, I’m learning more about Schenkerian analysis. If I’m going to resist it, I should at least be conversant in the thing I’m resisting, right? So I’ve been reading Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form by David Beach. One of his …
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Flava In Ya Ear
It is my duty as a hipster dad to introduce my kids to all the classics of 90s rap, and they have been especially taken with this one. We’ve been enjoying making up our own lyrics to the hook. First we kicked flava in ya nose, then ya mouth, then ya eye. From there we …
What is going on in this Ariana Grande song?
Asaf Peres recently posted on Twitter about the chord progression in “Let Me Love You” by Ariana Grande. The Wraparound Leading Tone in @ArianaGrande ft. @LilTunechi – "Let Me Love You"(it's really called a double leading tone, but I like wraparound better)@TBHITS @VictoriaMonet @jeremih #MrFranks pic.twitter.com/qVyY1BP7Nm — Top40 Theory (Asaf Peres) (@Top40Theory) February 17, 2020 …
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Glenn Gould wanted me to make this remix
Glenn Gould thought people should make their own edits of classical recordings. He explains this idea in greater depth here. I read it and thought, challenge accepted!
Bach Chaconne – Gimme the Lute mix
While investigating the Bach Chaconne, I found this beautiful lute performance by Hopkinson Smith. It’s enlightening to compare Smith’s performance to Moran Wasser playing the Chaconne on 11-string guitar. The lute is less bright and resonant than guitar, but I like Smith’s playing better, he’s not as melodramatic. I couldn’t find any video of him playing …