If you had to explain funk to a visitor from outer space, Stevie Wonder’s “Superstition” would be a great place to start. Aside from the refrains at the end of each verse, the entire tune consists of variations on a single two-bar clavinet riff on the E-flat minor pentatonic scale. The scale might have a …
Category Archives: Composition
Here’s what’s cooking with the NYU MusEDLab
I’m a proud member of the NYU Music Experience Design Lab, a research group that crosses the disciplines of music education, technology, and design. Here’s an overview of our many ongoing projects.
Hit Me Baby
The most appalling song that appears on Mad Men is over the closing credits of the fifth season episode “Mystery Date.” It is not Carole King and Gerry Goffin’s finest work. It’s easy to cluck your tongue at 1962. They were so primitive back then! Surely we’re doing better now. Right? Well…
User interface case study: Patterning
The folks at Olympia Noise Co recently came out with a new circular drum machine for iOS called Patterning, and it’s pretty fabulous. The app’s futuristic look jumps right out at you: flat-colored geometric shapes with zero adornment, in the spirit of Propellerhead Figure. There’s nothing on the screen that doesn’t function in some way. It’s a …
Musical Necker cubes
The simplest and most effective optical illusion ever is the Necker cube. Which side is in front? The answer is both and neither. Very Zen. In the process of gathering musical simples, I found a P-Funk loop with a similar effect. It’s a keyboard lick from “Do That Stuff” from The Clones Of Dr Funkenstein.
Steve Reich’s Clapping Music: The Game
The Steve Reich Clapping Music app turns a minimalist classical work into a rhythm game. This is a cool idea, but even better, the app is also fun, addictive and SUPER HARD. When’s the last time you heard something related to classical music described as “fun” and “addicting”?
Musical simples
The NYU Music Experience Design Lab is putting together a new online music theory resource, and I’m writing a lot of the materials. We want to keep everything grounded in real-life musical practice. To that end, we’ve been gathering musical simples: phrases, riffs, and earworms that beginners can learn easily. My criteria for a good …
Pedagogical remixing with Splice
My newest music student is a gentleman named Rob Precht. As is increasingly the case with people I teach privately, Rob lives many time zones away, and he and I have never met face to face. Instead, we’ve been conducting lessons via a combination of Skype and Splice. It’s the first really practical remote music …
Diverge, converge, diverge, converge
Soon after I became a composer, Marc Weidenbaum made me a meta-composer. Which I guess makes him a meta-meta-composer? A hyperproducer? There isn’t a word for what Marc is, aside from “awesome.” The most concise way I can think of to describe what he does: he writes reviews of music that doesn’t exist yet and …
Music in a world of noise pollution
One of the great privileges of working at NYU is having access to the state-of-the-art Dolan Studio. Listening to music on top-end Lipinskis through an SSL console in a control room designed by Philippe Starck is the most exquisite audio experience I’ve ever had, and likely will ever have. Unfortunately, it’s also very far removed …