This past November, I had the privilege of performing in the fourth Disquiet Junto concert of 2012 in the apexart gallery.
Category Archives: Composition
There’s joy in repetition
Susan McClary “Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture.” in Audio Culture, Daniel Warner, ed, Continuum International Publishing Group, 2004, pp 289 – 298. This essay is the best piece of music writing I’ve read in quite a while. McClary articulates my personal ideology of music perfectly. Also, she quotes Prince! Here …
Teaching the studio as instrument
Matthew D. Thibeault. Wisdom for Music Education From the Recording Studio. General Music Today, 20 October 2011. Stuart Wise, Janinka Greenwood and Niki Davis. Teachers’ Use of Digital Technology in Secondary Music Education: Illustrations of Changing Classrooms. British Journal of Music Education, Volume 28, Issue 2, July 2011, pp 117 - 134. Digital recording studios …
A modern classical fan responds
I’ve talked a lot of smack about high modernist music on this blog recently. Yesterday I got an email from a composer named Evan Kearney with some thoughtful reactions. Here’s what he had to say: [Y]ou wrote that you didn’t ‘get’ High Modernism (serialism, Webern, Pierre Boulez, Elliot Carter, etc.) and what it offered for …
Sonic analysis of “Tightrope” by Janelle Monáe
The most fun Music Technology class I’m taking this semester is Advanced Audio Production with Paul Geluso. A major component of the class is learning how to listen analytically, and to that end, we were assigned to pick a song and do an exhaustive study of its sonic qualities. We used methods from William Moylan’s …
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The Disquiet Junto
Update: see extensive documentation of one of my Junto projects. A significant chunk of the music I’ve made in the past year has been prompted by a blogger and journalist named Marc Weidenbaum, proprietor of the fine electronic music web zine Disquiet. This is funny, because while I’ve had a number of online exchanges with …
Silver Apples of the Moon
Discussing “Silver Apples Of The Moon” puts me in a quandary. I like Morton Subotnick personally, and very much enjoyed studying with him. I appreciate his desire to liberate the world from the shackles of keyboard-centric thinking. There’s no question that his music is personal, original and forward-thinking. But I find myself unable to emotionally …
Debating the morals of the mashup
Recently, I was on Connecticut Public Radio’s Colin McEnroe show, talking about the culture and history of the mashup. I gave my usual enthusiastic endorsement of the practice. My friend Jesse Selengut, an ace jazz trumpet player and all-around music master, had some responses.
Frank Ocean’s Real Love
Frank Ocean is the R&B singer of the moment. Does he merit all they hype? There’s no doubt but that the man can sing. I first heard him in Jay-Z and Kanye West’s tremendous “No Church In The Wild,” which owes a lot of its intensity to Ocean’s vocals. He’s been releasing some good mixtapes …
Visualizing song structures
How do you write out a pop, rock or dance song? There’s no single standard method. Some musicians use standard Western notation. Some use lyric sheets and do everything else by ear. Many of us use methods that fall somewhere in between. One such compromise system in widespread use is the lead sheet: Other systems …