Brian Eno writes songs with the mixing desk

“Once In A Lifetime” by Talking Heads and Brian Eno is one of my favorite songs by anyone ever.

Loop mode: improvisation is composition is recording

Before digital recording media, recording artists faced a tradeoff between spontaneity and perfection. Recording take after take until the performances are spotless can quickly suck the joy and energy out of the music. But the kind of sloppiness that goes unnoticed in a live performance can get on your nerves after many repeated listens. It’s …

Auto-tune (is) the news

See a followup post on the Gregorys’ breakout hit, the “Bed Intruder Song.” The Gregory Brothers (including a sister-in-law) are musicians here in Brooklyn who have a series of videos called Auto-tune The News. Here are a selection of their better episodes as of this writing.

Biz Markie gets the copyright smackdown

Biz Markie. Who doesn’t love him? Our broken intellectual property system, that’s who. Biz belongs to the period in the late eighties and early nineties that many hip-hop heads refer to as the golden age. The tracks of this period were dense with samples and quotes, most of which were used without permission. Biz was …

Mashups as micro-mixtapes

Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a …

God don’t ever give me nothing I can’t handle, so please don’t ever give me records I can’t sample

The title is a lyric by Kanye West on Common’s track “They Say.” A hundred percent of my musical energy right now is coming from and going into sample-based music. To wit: Records I Can’t Sample [audio:http://ethanhein.com/music/Ethan_Hein_Records_I_Cant_Sample.mp3] Me vs Michael Jackson vs Herbie Hancock vs Missy Elliot vs Kanye West vs Fab Five Freddy mp3 …

How to make a hot beat

Here’s a more specific post on programming various well-known beats. The brain is a pattern recognition machine. We like repetition and symmetry. But we only like it up to a point. Once we’ve recognized and memorized the pattern, we get bored and stop paying attention. If the pattern changes or breaks, it grabs our attention …

Self-reference in computer programming and hip-hop

Like this sentence, computer programs and songs can refer to themselves. Many computer programs and songs are made of loops within loops within loops. Self-reference gives computers their extreme versatility. It also makes for richer, more interesting music.

Songwriting and computer programming

Writing a song is a lot like writing a computer program. They both require clever management of loops and control flow. The simplest sheet music reads as a straightforward top-to-bottom list of instructions. You start on measure one and read through to the end sequentially. That’s fine unless the music is very repetitive, which most …

The natural history of the Funky Drummer break

“The Funky Drummer Parts One And Two” by James Brown and the JBs is one of the most-sampled recordings in history. But even though the track is a cornerstone of hip-hop and other sample-based electronic music, for the first decade after its release, it was an obscurity. It’s not as catchy as James Brown’s big …