Björk thought she could organize freedom, how Scandinavian of her

I revere Björk above most other musicians. She knows how to balance the coldness of electronic production with hotly unpredictable vocals and instrumental textures. Not everybody loves Björk as much as I do; her approach is eccentric and her sound gets on some people’s nerves. It took me a couple years to be convinced by …

His name is Prince, and he is funky

Hip-hop artists love Prince. Like them, he blends drum machines, live jazz-funk musicians and samples of other songs.

Brian Eno writes songs with the mixing desk

“Once In A Lifetime” by Talking Heads and Brian Eno is one of my favorite songs by anyone ever.

Loop mode: improvisation is composition is recording

Before digital recording media, recording artists faced a tradeoff between spontaneity and perfection. Recording take after take until the performances are spotless can quickly suck the joy and energy out of the music. But the kind of sloppiness that goes unnoticed in a live performance can get on your nerves after many repeated listens. It’s …

Auto-tune (is) the news

See a followup post on the Gregorys’ breakout hit, the “Bed Intruder Song.” The Gregory Brothers (including a sister-in-law) are musicians here in Brooklyn who have a series of videos called Auto-tune The News. Here are a selection of their better episodes as of this writing.

Biz Markie gets the copyright smackdown

Biz Markie. Who doesn’t love him? Our broken intellectual property system, that’s who. Biz belongs to the period in the late eighties and early nineties that many hip-hop heads refer to as the golden age. The tracks of this period were dense with samples and quotes, most of which were used without permission. Biz was …

Mashups as micro-mixtapes

Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a …

God don’t ever give me nothing I can’t handle, so please don’t ever give me records I can’t sample

The title is a lyric by Kanye West on Common’s track “They Say.” A hundred percent of my musical energy right now is coming from and going into sample-based music. To wit: Records I Can’t Sample [audio:http://ethanhein.com/music/Ethan_Hein_Records_I_Cant_Sample.mp3] Me vs Michael Jackson vs Herbie Hancock vs Missy Elliot vs Kanye West vs Fab Five Freddy mp3 …

How to make a hot beat

Here’s a more specific post on programming various well-known beats. The brain is a pattern recognition machine. We like repetition and symmetry. But we only like it up to a point. Once we’ve recognized and memorized the pattern, we get bored and stop paying attention. If the pattern changes or breaks, it grabs our attention …

Self-reference in computer programming and hip-hop

Like this sentence, computer programs and songs can refer to themselves. Many computer programs and songs are made of loops within loops within loops. Self-reference gives computers their extreme versatility. It also makes for richer, more interesting music.