The trumpet player Nicholas Peyton wrote a blog post recently: On Why Jazz Isn’t Cool Anymore. It’s a must-read for anyone interested in the future of the art form. If jazz is ever going to be popular again, it needs to regain its cool. Jazz was popular when it was intimately connected to popular culture. …
Continue reading “What are some ideas for making jazz more popular?”
The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you …
Improvising music is like giving a speech off the cuff. Before you can do it, you need to know some vocabulary and grammar. In music, the vocabulary is riffs, phrases, scales, sequences and other melodic building blocks. The grammar is music theory. It’s not necessary to learn either one formally, you can figure them out …
Typical jazz compositions are written expressly as vehicles for improvisation. Mainstream jazz tunes since the 1940s take the form head-solos-head. The head is a written melody, and the solos are improvised around the chord changes of the head. Scores for these kinds of tunes take the form of lead sheets, like the ones found in …
Continue reading “How is it possible to compose jazz when improvisation is an essential component?”
Back in June we went to see the incomparable Reggie Watts perform at Central Park Summerstage. I think Reggie is one of the most exciting artists of our time, but it’s difficult to verbalize exactly what he does. His performances combine improvisational music and absurdist standup comedy into a free-associative yet oddly coherent and impactful …
My friend and sometime musical collaborater Leo Ferguson is releasing an album of his adventurous jazz compositions and arrangements. Leo Ferguson Ensemble (2011) by Leo Ferguson As part of the album’s extended liner notes, I interviewed Leo on May 5, 2011. Here’s an edited transcript; you can also hear the audio on Leo’s site.
Once you’ve mastered the basic guitar chords, you might want to tackle some scales. The pentatonic is a good scale to start with. It’s easy to play, easy to memorize and sounds good in an astonishing variety of musical situations. Here’s how to play it:
The other day Brian Eno was on NPR talking about his process. He likes to have people walk into the studio without any preconceived ideas or written out material. Then he has the musicians improvise within certain constraints. Usually these constraints are more about a mood or a vibe than a particular musical structure. After …
I’m not a big classical music guy for the most part, but I never get tired of Bach. This stodgy eighteenth century Lutheran doesn’t seem a likely inspiration for a hipster electronica producer like me. There aren’t too many other wearers of powdered wigs in my record collection, and Bach is the only one in …
This weekend my electronica band Revival Revival is doing some shows for the first time in many months. We’ll be doing a lot of what my non-electronic-musician friends consider to be cheating. The lead vocals and guitar will be live, as will some of the synths. Everything else will be canned, recordings played back from …
Continue reading “What does live music mean in the laptop era?”
