After doing “Straight, No Chaser,” I’m now diving into another one of Monk’s greatest hits, “Rhythm-a-Ning,” at the request of Christian Gentry. Monk’s take on the ubiquitous “I Got Rhythm” chord progression has a lot in common with “Straight, No Chaser.” They both use the most generic materials possible to produce something that still sounds …
Category Archives: Improvisation
Straight, No Chaser
Thelonious Monk wrote a lot of excellent blues tunes. “Straight, No Chaser” is the weirdest and coolest one. Here’s his first recording of it, from 1951: Here’s another good one, from his 1967 record of the same name:
Adam Neely video on rap covers
I have been enjoying Adam Neely’s videos for a few years, so it was pretty exciting when he asked me to help out with his recent examination of white supremacy and music theory. It was even more exciting when he invited me to do an interview on the problem of the white rap cover. See …
Remixing the Grateful Dead
There is no corpus of music I know better than the albums and concert recordings of the Grateful Dead. Some people memorize the works of Shakespeare; I, for better or for worse, spent my youth memorizing the works of Jerry. This puts me in a great position to sample and remix them. However, while I’ve …
My favorite Jerry Garcia riff
Before he wrecked his brain with heroin in the 1980s, Jerry Garcia was my favorite guitarist in the world. I was so saturated in his music during my key guitar-learning years that now everything I play tends to sound like him, up to and including Bach violin partitas. Here’s my single favorite four-bar passage of …
Remixing a solo saxophone recording by Catherine Sikora
Many years ago, I played some jazz with Catherine Sikora. She was a fierce and excellent saxophonist then, and her playing has only grown in the time since. In the past few years, Catherine has been releasing a series of albums of solo and duo improvisation. That takes a lot of confidence! Her lines are …
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“Work Song” and blues harmony
It’s a cliché to say that jazz is European harmony plus African rhythm. For example, this lesson plan from Jazz in America says that jazz got its rhythm and “feel” from African music, and its harmony and instruments from European classical. This is not untrue, but it’s an oversimplification. A substantial amount of jazz harmony …
Brian Eno and the role of the producer
The meaning of the word “producer” has changed significantly over the history of recorded music. Before the 1960s, most record producers were businesspeople, responsible for signing checks and making sure the musicians and engineers did their jobs. Some producers took a creative role in choosing repertoire, arrangements and takes, but others were hands-off. As recording …
An intro to counterpoint
Counterpoint is a musical technique that combines two or more independent melody lines. It’s one of the characteristic sounds of Western classical music. Bach wrote a ton of it. But counterpoint isn’t always so complicated. Any song that has a vocal melody with a bassline underneath is an example of counterpoint. If you have ever …
Harmonica Meditation
This post is something new for me: an online prose score, in the spirit of Pauline Oliveros. Harmonica Meditation For unaccompanied ten-hole diatonic harmonica, in any key. Exhale completely. Put the harmonica to your mouth and take a deep breath all the way in, as slowly as you can. I recommend starting at the low …