Writing assignment for Design For The Real World with Claire Kearney-Volpe and Diana Castro – research about a new rhythm interface for blind and low-vision novice musicians Definition I propose a new web-based accessible rhythm instrument called QWERTYBeats. Traditional instruments are highly accessible to blind and low-vision musicians. Electronic music production tools are not. I look at the history …
Category Archives: Improvisation
Composing in the classroom
The hippest music teachers help their students create original music. But what exactly does that mean? What even is composition? In this post, I take a look at two innovators in music education and try to arrive at an answer. Matt McLean is the founder of the amazing Young Composers and Improvisers Workshop. He teaches his students composition using …
Rohan lays beats
The Ed Sullivan Fellows program is an initiative by the NYU MusEDLab connecting up-and-coming hip-hop musicians to mentors, studio time, and creative and technical guidance. Our session this past Saturday got off to an intense start, talking about the role of young musicians of color in a world of the police brutality and Black Lives Matter. The Fellows are …
Inside the aQWERTYon
Update: try the Theory aQWERTYon! The MusEDLab and Soundfly just launched Theory For Producers, an interactive music theory course. The centerpiece of the interactive component is a MusEDLab tool called the aQWERTYon. You can try it by clicking the image below. (You need to use Chrome.) In this post, I’ll talk about why and how we developed the …
Musical Simples: Once In A Lifetime
“Once In A Lifetime” is a simple but remarkable tune based on a simple but remarkable scale: the major pentatonic. https://www.youtube.com/watch?v=98AJUj-qxHI Like its cousin the minor pentatonic scale, major pentatonic is found in just about every world musical culture. It’s also incredibly ancient. In Werner Herzog’s documentary Cave Of Forgotten Dreams, a paleontologist plays an …
Musical simples part two
Here’s an explanation for why I’m gathering these things. Wagner, “Ride of the Valkyries” I’m no great fan of Wagner, but there’s no denying that this is a killer hook. You don’t have much occasion to play in 9/8 time these days, but this melody can be adapted to fit 4/4 pretty easily. Also, because …
Musical simples
The NYU Music Experience Design Lab is putting together a new online music theory resource, and I’m writing a lot of the materials. We want to keep everything grounded in real-life musical practice. To that end, we’ve been gathering musical simples: phrases, riffs, and earworms that beginners can learn easily. My criteria for a good …
Pedagogical remixing with Splice
My newest music student is a gentleman named Rob Precht. As is increasingly the case with people I teach privately, Rob lives many time zones away, and he and I have never met face to face. Instead, we’ve been conducting lessons via a combination of Skype and Splice. It’s the first really practical remote music …
How does jazz work? The up-goer five version
I rewrote this post using the up-goer five text editor. Enjoy. How does cool music work? Rather than attempting the hard job of explaining how everything in cool music works, I will pick a usual song and talk you through it: “One Day My Son Of An Important Person Will Come” by Miles Davis, from …
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How the heck do you know what scale you’re supposed to use for lead guitar?
There’s a broad diversity of harmonic practices being used out there in the world of blues-based popular music, rock in particular. While a given song may not use a lot of scales and chords, the relationships between those scales and chords is rarely simple or obvious. You really just need to learn all of them. …
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