Diatonic chords from the C major scale:
Category Archives: Music Teaching
Learn to improvise on the white piano keys
Improvisation is a core musical skill across a variety of styles and genres. Being able to make up music on the fly is obviously useful in and of itself, but improvisation is also an excellent tool for songwriting, composition, production, and teaching. The best way to learn how to improvise is to do it along …
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Fugue as sample flip
Here’s a question from the always insightful Debbie Chachra: @ethanhein I just realized you are the right person to ask this–are there great analyses that make the connection between Bach's Art of Fugue and sampling in hip-hop? — Deb Chachra is mostly not here (@debcha) June 12, 2020 @ethanhein [Query prompted by hearing DJ Dahi …
What does it mean to remix the classical canon
Here’s an exciting thing that happened recently. https://twitter.com/olabscott/status/1270192351215005697 I didn’t have an explicitly anti-racist motivation when I started making the remixes, but if they’re being received that way, I’m delighted. In this post, I’m going to do some thinking out loud about what it all means.
Two hundred Disquiet Junto submissions
Since January 2012, I have created over two hundred (!) pieces of music for the Disquiet Junto. That represents thirteen hours of recordings, which is more music than I have produced for every other creative undertaking in my life combined. In honor of this milestone, I’ve compiled my best submissions on Bandcamp. Disquiet Junto Projects …
The racial politics of music education
In the face of ongoing protests against police brutality in the US, I’m seeing some music educators fretting about the relevance of their work. I believe that Eurocentric music education can validate and perpetuate white supremacy, and that our responsibility is to dismantle it. Here’s an excerpt of my dissertation in progress. I hope you …
Clair de Lune
I struggle with the rhythms of rubato-heavy classical pieces, and no one loves rubato more than the Impressionists. When I started listening in earnest to recordings of Debussy’s “Clair de Lune,” I couldn’t even guess the time signature, much less place notes in the bar. This piece is therefore an excellent use case for aural …
Rhythmic ambiguity in the Bach E major partita prelude
I have been creating a series of beat-driven remixes of canonical classical works. I have mostly done this for my own enjoyment, because I like hearing the pieces with some groove to them. But I also sense that there might be pedagogical applications for this method as well. I finally found a good example: the …
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Hip-hop glossary
This is not meant to be a comprehensive guide to hip-hop slang and vocabulary. Such a thing would be impossible, especially because the culture is constantly producing new terms. This list will necessarily be out of date by the time you read it. My purpose is to introduce the most important musical terms, along with …
Make your chord progressions less boring using secondary dominants
Diatonic harmony is boring. Random dissonance is boring too. How do you make your music less predictable, but in a logical-sounding way? Especially if you want your harmony to sound “jazzy”? One reliable technique is to use secondary dominants. The idea is to treat each chord in a key as the temporary center of its …
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