Every major key has a relative minor key. Think of it as an evil twin sibling. Relative minors are very widely used but not so widely understood. In particular, there’s a lot of confusion around the fact that major keys and their relative minors share the same key signatures and (mostly) the same pitches. But …
Category Archives: Music Teaching
Theory Hacks with Ableton
I’m happy to announce the release of my first project for the good folks at Ableton, a Classroom Project called Theory Hacks. It’s a set of free resources for educators who want to teach music theory and songwriting/composition to beginners using Live. In this post, I explain the pedagogical motivations for the project.
Technology Trends in Music Education
This semester, I am teaching Technology Trends in Music Education at NYU Steinhardt for the first time. The class was originally developed by my doctoral advisor, Alex Ruthmann. I took it as a masters student, and the experience was critical to the eventual development of the Groove Pizza. So you can understand why I am …
My current Intro to Music Technology syllabus
There is no required text for this class; all of the readings are online. However, if you are a music education major or you plan to teach music technology, I recommend buying Electronic Music School: a Contemporary Approach to Teaching Musical Creativity by Will Kuhn and myself.
The chromatic circle and the circle of fifths
The heart of Western tonal theory is this diagram: It’s called the chromatic circle, and it shows all of the notes you can play with a piano keyboard or guitar fretboard. It is closely related to another extremely important diagram called the circle of fifths: In this post, I explain where these diagrams come from …
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How guitarists learn music theory
This is me, rehearsing an Allman Brothers song with my stepbrother Kenny for my stepdad’s funeral last summer. If you are a music theory teacher interested in reaching guitarists, here’s some background on my own music learning that might be illuminating. My journey is a pretty typical one for a rock guitarist, except for the …
Teaching statement
I am finishing my dissertation soon and am applying for full-time academic jobs. Here’s my teaching statement. It’s adapted from the first two chapters of Electronic Music School: a Contemporary Approach to Teaching Musical Creativity. Also see my research statement. I have taught as an adjunct at New York University’s Steinhardt School, The New School’s …
Defining key centers with rhythm
Let’s say you have two chords, G7 and C. According to Western classical theory, these two chords establish that you are in the key of C. The G7 is tense and unresolved, and it makes you yearn for the calm stability of C. Music theory resources are full of language about how dominant seventh chords …
Music Theory Songs
Ashanti Mills from my Patreon had a brilliant idea. He said, hey, you know how you combined interviews with Toni Blackman with hip-hop songs to explain hip-hop pedagogy? You should do that with music theory: have songs that explain their musical content to you. This is one of those ideas that seems obvious as soon …
Chords and modal interchange
One of the most powerful music theory concepts you can learn is how to make chords from scales. If you learn a few scales, then you get a whole bunch of chords for free. The specifics of all the chord names can be complicated and daunting. But the concept of constructing them is very simple. …