I have been doing a major overhaul of my blues tonality post. It now cites more literature and has a more logical structure. The post is my best attempt at a complete description of blues harmony, its history, and its role (or lack thereof) in music theory pedagogy. I hope you find it useful.
Category Archives: Music Theory
Boogie Chillen
Here’s one of the heaviest and most wonderful recordings ever made. The song is so mysterious, so intense, so ancient-sounding yet so fresh. John Lee Hooker recorded it in 1948 at United Sound Systems in Detroit. (He re-recorded it many more times afterwards.) It went to number one on the R&B chart, which is pretty …
Brokedown Palace
My stepfather died a year and a half ago, but thanks to the pandemic, we’re only now able to have a memorial service for him. My sister, stepsiblings and I are going to sing a Grateful Dead classic: For me, “Brokedown Palace” represents the high point of the Dead’s acoustic folkie side. On American Beauty, …
Did Lorde rip off George Michael?
Lorde has a new song. If you are a George Michael fan, parts of it will sound very familiar! The guitar part in the first verse is strongly reminiscent of the one in “Faith.” But people seem to be mainly worked up about the similarities in the overall rhythmic groove and chord changes to the …
Kicking out the JAMS
That’s JAMS as in the Journal of the American Musicological Society. I wrote a review of Ableton Live 11 as a tool for musicology and education for their new issue. Email me if you don’t have university library access and I’ll send you a PDF.
Pieces vs Songs vs Grooves
In preparation for making a bunch of new YouTube videos, I have been thinking about Anne Danielsen’s distinction between songs and grooves. It’s a useful scheme for thinking about pop, but it doesn’t cover everything in Western music. We need a third category for linear through-composed music. So here’s my proposal: all of the music …
Chain of Fools
“Chain of Fools” by Aretha Franklin is a song I loved for many years just for listening and enjoying, but then I started to love it even more as a music theory teaching example. It’s emblematic of blues tonality, one-chord changes, and groove structure. The released version is edited down from its original arrangement, which …
Oye Como Va
Santana’s recording of “Oye Como Va” is one of the most outrageous grooves I’ve ever heard. David Welna describes it as “a Cuban cha-cha composed by a Puerto Rican New Yorker and performed by a Mexican immigrant and his San Francisco rock band.” It’s red-hot from its opening seconds. As the organ starts the montuno, …
Bach’s Passacaglia and Fugue in C Minor
A passacaglia is a Baroque dance that is a lot like the chaconne. One of Bach’s greatest hits is his Passacaglia and Fugue in C minor. Like the Chaconne, the Passacaglia is a long series of variations on a short, simple dance form. Also like the Chaconne, it’s pretty awesome. Bach got the first half …
What if the Bach Chaconne was modal jazz?
As I struggle my way through the Bach Chaconne on guitar, I’m having to work around the fact that I am great at music theory but terrible at note reading. So before I could play the piece, I had to completely understand it and be able to feel it by ear. The only way I …
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