I’m a proud member of the NYU Music Experience Design Lab, a research group that crosses the disciplines of music education, technology, and design. Here’s an overview of our many ongoing projects.
Category Archives: Music Theory
Hit Me Baby
The most appalling song that appears on Mad Men is over the closing credits of the fifth season episode “Mystery Date.” It is not Carole King and Gerry Goffin’s finest work. It’s easy to cluck your tongue at 1962. They were so primitive back then! Surely we’re doing better now. Right? Well…
The Great Cut-Time Shift
There has been a dramatic shift in American popular music’s grooves over the past sixty or so years. To understand it, you need to know what swing is. Here is a piece of music played without swing: Here is that same piece of music played with swing:
Prototyping Play With Your Music: Theory
I’m part of a research group at NYU called the Music Experience Design Lab. One of our projects is called Play With Your Music, a series of online interactive music courses. We’re currently developing the latest iteration, called Play With Your Music: Theory. Each module presents a “musical simple,” a short and memorable loop of …
Musical Necker cubes
The simplest and most effective optical illusion ever is the Necker cube. Which side is in front? The answer is both and neither. Very Zen. In the process of gathering musical simples, I found a P-Funk loop with a similar effect. It’s a keyboard lick from “Do That Stuff” from The Clones Of Dr Funkenstein.
Rhythmic simples
In the service of teaching theory using real music, I’ve been gathering musical simples: little phrases and loops that are small enough to be easily learned, and substantial enough to have expressive value. See some representative melodic simples, more melodic simples, and compound simples. This post showcases some representative rhythmic simples, more commonly known as …
Musical simples part two
Here’s an explanation for why I’m gathering these things. Wagner, “Ride of the Valkyries” I’m no great fan of Wagner, but there’s no denying that this is a killer hook. You don’t have much occasion to play in 9/8 time these days, but this melody can be adapted to fit 4/4 pretty easily. Also, because …
Making chords from scales
Jazz musicians think of chords and scales as two different ways of looking at the same thing: a group of pitches that sound good together. If you organize the pitches sequentially and play them one at a time, you get a scale. If you stack them up and play them simultaneously, you get chords. Here’s …
When does a speech turn into a song?
Daniel Jacobson, a musician in Ireland, was inspired by this post to give the following speech: https://www.youtube.com/watch?v=BfSrJnn1z9E
The harmonica explains all of Western music
If you want to understand the vast cultural struggle taking place in the study of Western harmony, you could do worse than to start with the harmonica. This unassuming little instrument was designed in central Europe in the 19th century to play the popular music of that time and place: waltzes, oom-pah music, and light …
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