I have some aspirations in music theory pedagogy, and toward that end, I’m learning more about Schenkerian analysis. If I’m going to resist it, I should at least be conversant in the thing I’m resisting, right? So I’ve been reading Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form by David Beach. One of his …
Continue reading “Let’s argue about this one weird chord in the Brahms Intermezzo in B-flat minor”
It is my duty as a hipster dad to introduce my kids to all the classics of 90s rap, and they have been especially taken with this one. We’ve been enjoying making up our own lyrics to the hook. First we kicked flava in ya nose, then ya mouth, then ya eye. From there we …
Asaf Peres recently posted on Twitter about the chord progression in “Let Me Love You” by Ariana Grande. The Wraparound Leading Tone in @ArianaGrande ft. @LilTunechi – "Let Me Love You"(it's really called a double leading tone, but I like wraparound better)@TBHITS @VictoriaMonet @jeremih #MrFranks pic.twitter.com/qVyY1BP7Nm — Top40 Theory (Asaf Peres) (@Top40Theory) February 17, 2020 …
Continue reading “What is going on in this Ariana Grande song?”
Glenn Gould thought people should make their own edits of classical recordings. He explains this idea in greater depth here. I read it and thought, challenge accepted!
Build A Fort is the drums/saxophone duo of Gareth Dylan Smith and Zack Moir, two of the leading lights in progressive music education. The title of their new album, Ignorant Populists, is presumably a play on their role in advancing popular music pedagogy. The album was mostly recorded while Gareth was in New York and …
Western music notation is a graph of pitch (on the vertical axis) and time (on the horizontal axis.) It’s mostly self-explanatory on the pitch axis, but it’s harder to understand on the time axis. It helps if you visualize your rhythms on a circle, like the Groove Pizza does. Everything I talk about in this …
While investigating the Bach Chaconne, I found this beautiful lute performance by Hopkinson Smith. It’s enlightening to compare Smith’s performance to Moran Wasser playing the Chaconne on 11-string guitar. The lute is less bright and resonant than guitar, but I like Smith’s playing better, he’s not as melodramatic. I couldn’t find any video of him playing …
This week I begin another iteration of my NYU class, a music technology crash course for future music teachers. Given the vastness of the subject matter and the constraints of a one-semester course, the challenge is always to figure out what to put in and what to leave out. I continue to take a project-based …
Continue reading “NYU Music Education Technology Practicum syllabus”
If you want to understand Western music theory, the circle of fifths is an invaluable tool. For one thing, it can help you understand how key signatures work. But it also helps explain how the major scale and diatonic modes relate to each other, and gives a possible explanation for why they sound good. Here’s …
Continue reading “Scales, keys and modes on the circle of fifths”
Mozart is mostly not to my taste, but there is no denying that the man could write a melody. My favorite melody of his is the one from the second movement of his Piano Concerto No. 21 in C major. I like Daniel Barenboim’s interpretation the best; everyone else plays it too fast for me. …
Continue reading “Remixing Mozart’s Piano Concerto No. 21 – Andante”
