Classical composers, Bowie and Björk

This post originally took the form of a couple of Twitter threads, which I’ve collected and edited here for easier reading. Greg Sandow asks two very interesting and provocative questions of classical music: When the Museum of Modern Art did its first retrospective of a seminal musical artist, no surprise it was Björk who reached past music …

Frank Ocean – Pink and White

I’m working on a new music theory course with the good folks at Soundfly, a continuation of Theory For Producers. We were looking for contemporary songs that use modal interchange, combinations of different scales to create complex blends of emotion. Soundfly producer Marty Fowler suggested a Frank Ocean song, which I was immediately on board …

Chance the Rapper’s verse on “Ultralight Beam”

One of my favorite guest verses in all of hip-hop is the one that Chance The Rapper does on Kanye West’s beautiful “Ultralight Beam.” The song is built around an eight bar loop. (See this post for an analysis of the chord progression.) Chance’s verse goes through the loop five times, for a total of …

Freedom ’90

Since George Michael died, I’ve been enjoying all of his hits, but none of them more than this one. Listening to it now, it’s painfully obvious how much it’s about George Michael’s struggles with his sexual orientation. I wonder whether he was being deliberately coy in the lyrics, or if he just wasn’t yet fully in touch …

Careless Whisper

 The infamous saxophone riff in “Careless Whisper” is one of the most infectious earworms in musical history. Love it or hate it, there is no getting it out of your head. In honor of the late George Michael, let’s take a look at what makes it work.

Cultural hegemony in music education

Music education in American colleges and universities focuses almost entirely on the traditions of Western European aristocrats during the eighteenth and nineteenth centuries, known conventionally as “common practice music.” This focus implies that upper-class European-descended musical tastes are a fundamental truth rather than a set of arbitrary and contingent preferences, and that white cultural dominance …

Making better citizens through dance

Public-facing note-taking for Philosophy of Music Education with David Elliott This week, I’m taking a look at two chapters from a new book on the red-hot topic of artistic citizenship, the social responsibility of artists and arts educators.

QWERTYBeats design documentation

QWERTYBeats is a proposed accessible, beginner-friendly rhythm performance tool with a basic built-in sampler. By simply holding down different combinations of keys on a standard computer keyboard, users can play complex syncopations and polyrhythms. If the app is synced to the tempo of a DAW or other music playback system, the user can easily perform good-sounding …

Artistic citizenship in the age of Trump

Public-facing note taking for Philosophy of Music Education with David Elliott This week I’m reading about the social and ethical responsibilities of artists generally, and musicians and music educators in particular. That topic is especially relevant at the moment.   Before we get to the moral philosophy aspect, let’s talk about this performance. Why is it so good? Movies …

Music Matters chapter seven

Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class.  This chapter addresses musical meaning and how it emerges out of context. More accurately, it addresses how every musical experience has many meanings that emerge from many contexts. Elliott and Silverman begin with the meanings of performance, before moving …