While my son’s birth has been the most joyous event of my life, he has put a serious damper on my and Anna’s concert-going. I tell my musician friends: I’ll happily come to your gig, as long as it’s on a Sunday afternoon with walking distance of my apartment. Well, today, Björk obliged us by …
Category Archives: Music
The Blurred Lines lawsuit
Marvin Gaye is one of the great singers and songwriters of all time, with a status deservedly approaching secular sainthood. Robin Thicke is a sleazy dirtbag who made a giant pile of money by knocking off one of Marvin’s songs to produce a rapey earworm, accompanied by a porn video. Naturally, I side with Team …
Musical shares
Recently we had some guys from Splice.com visit NYU to show off their intriguing new product. (It’s basically GitHub for musicians.) The Splice guys demonstrated the power of networked collaboration with an exercise they call “musical shares.” Everybody starts a track in some DAW (we used GarageBand.) You work on your track for ten minutes. …
Booking me for workshops
I want to expand my private teaching and speaking practice. If you were to book me for a workshop or seminar, what would you want it to be about? Music production? Intellectual property and authorship? Music and math? Music and science? Music pedagogy? Improvisation and flow, both in music and in life generally? Something else? …
We got both kinds, country and western
In a few weeks, I’m going to be doing some guest blogging on NewMusicBox. I’m very excited, but also a bit nervous, because I’m an outspoken anti-fan of avant-garde modernism. I don’t want to antagonize NMB’s readership, so I’m trying to figure out how to write about this stuff without being a jerk. I’m using …
Sampling composers
Morey, J., & McIntyre, P. (2014). The Creative Studio Practice of Contemporary Dance Music Sampling Composers. Dancecult, 6(1), 41–60. There is so much to love about this paper, starting with the title. You can read it the way it was intended, that dance music producers are composers. Or you can creatively misread it to mean …
Talent considered harmful
My fellow radical music educator Jared O’Leary wrote a pretty remarkable paper with a deceptively dry title: A Content Analysis on the Use of the Word ‘Talent’ in the Journal of Research in Music Education, 1953-2012. It got me thinking about talent, and what a pernicious concept it is.
Pop songwriting in the age of the Digital Audio Workstation
Bennett, J. (2011). Collaborative songwriting – the ontology of negotiated creativity in popular music studio practice. Journal on the Art of Record Production, (5), online. My professional life at the moment mostly consists of teaching classical and jazz musicians how to write pop songs. While every American is intuitively familiar with the norms of pop …
Continue reading “Pop songwriting in the age of the Digital Audio Workstation”
The poetics of rock
I’m teaching at Montclair State University because of Adam Bell, a fellow self-taught rock and pop musician turned academic. Adam loves to quote The Poetics of Rock by Albin Zak, and rightly so. Zak’s major point is that rock is an art form about making records, and that the creativity in making records is only …
Mixing “Call Me Maybe”
Sound On Sound magazine ran this highly detailed account of mixing the inescapable summer jam of 2012. It’s the most thorough explanation of a contemporary pop song’s mix process that I’ve ever read. The specifics of the gear and the plugins are interesting, but the main takeaway is just how complex and nuanced the soundscape …