Using Ableton Live to teach music

Here’s a presentation I gave at the December 2012 Advanced Ableton User Meetup at Tekserve, hosted by Hank Shocklee of Public Enemy. I speak about how useful Ableton Live is as a music teaching tool, using Gnarls Barkley’s “Crazy” as an example. Very shortly after I concluded my talk, my wife went into labor with …

Make the music with your mouth

I’m a longtime closeted beatboxer. I do it while walking around, doing household tasks, in the shower, pretty much anywhere except in front of other people. My wife is remarkably tolerant of it, bless her, and my infant son has no choice but to listen to me do it. I don’t expect to ever beatbox …

Top tracks of 2012

Because I’m old and out of touch, most of these are pre-2012 songs that were new to me this year. Nas — “The World Is Yours” In 1994 I was not paying attention to hip-hop at all. My loss. Blackalicious — “Swan Lake” More vintage 1994 hip-hop. Samples three different cover versions of the Stylistics’ …

Did Yoko Ono break up the Beatles?

No. Paul McCartney joined John Lennon’s skiffle band in 1957, when they were fifteen and sixteen, respectively. George Harrison joined the following year, when he was fourteen. (Ringo didn’t join the band until 1962.) Who were your friends when you were fourteen, fifteen, sixteen? Imagine yourself intensely and inseparably joined with these same people professionally, …

There’s joy in repetition

Susan McClary “Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture.” in Audio Culture, Daniel Warner, ed, Continuum International Publishing Group, 2004, pp 289 – 298. This essay is the best piece of music writing I’ve read in quite a while. McClary articulates my personal ideology of music perfectly. Also, she quotes Prince! Here …

Teaching the studio as instrument

Matthew D. Thibeault. Wisdom for Music Education From the Recording Studio. General Music Today, 20 October 2011. Stuart Wise, Janinka Greenwood and Niki Davis. Teachers’ Use of Digital Technology in Secondary Music Education: Illustrations of Changing Classrooms. British Journal of Music Education, Volume 28, Issue 2, July 2011, pp 117 -­ 134. Digital recording studios …

The Schizophonia of David Byrne, Brian Eno, and The Orb

In this post, I compare and contrast the soundscapes of two iconic sample-based tracks:  “Regiment” by David Byrne and Brian Eno, and “Little Fluffy Clouds” by The Orb. Recorded ten years apart using very different technology, these two tracks nevertheless share a similar structure: dance grooves at medium-slow tempos centered around percussion and bass, overlaid …

A modern classical fan responds

I’ve talked a lot of smack about high modernist music on this blog recently. Yesterday I got an email from a composer named Evan Kearney with some thoughtful reactions. Here’s what he had to say: [Y]ou wrote that you didn’t ‘get’ High Modernism (serialism, Webern, Pierre Boulez, Elliot Carter, etc.) and what it offered for …

Sonic analysis of “Tightrope” by Janelle Monáe

The most fun Music Technology class I’m taking this semester is Advanced Audio Production with Paul Geluso. A major component of the class is learning how to listen analytically, and to that end, we were assigned to pick a song and do an exhaustive study of its sonic qualities. We used methods from William Moylan’s …