Bach to the future

I’m not a big classical music guy for the most part, but I never get tired of Bach. This stodgy eighteenth century Lutheran doesn’t seem a likely inspiration for a hipster electronica producer like me. There aren’t too many other wearers of powdered wigs in my record collection, and Bach is the only one in …

Do that stuff, aw do that stuff

One of the funkiest albums ever recorded is The Clones Of Dr Funkenstein by Parliament. Even if you never listen to it, you’ll get funkier just by looking at the cover. There’s much to love about this album beyond its joyously ridiculous science fiction theme. There are the deft, bebop-flavored horn charts by James Brown’s …

Impeach The President

Hip-hop sampling has a way of elevating obscure tracks into the cultural pantheon.  “Impeach The President” by the Honey Drippers is a perfect example (the president in question is Nixon.) While the song itself isn’t well-known outside of sample geek circles, I can guarantee you’ve heard its opening few seconds. According to WhoSampled.com, it’s the …

What does live music mean in the laptop era?

This weekend my electronica band Revival Revival is doing some shows for the first time in many months. We’ll be doing a lot of what my non-electronic-musician friends consider to be cheating. The lead vocals and guitar will be live, as will some of the synths. Everything else will be canned, recordings played back from …

The Grateful Dead and electronica

In keeping with my posts thinking of the Beatles and Jimi Hendrix as electronic musicians, I thought I’d round out the techno-hippie trifecta with the Dead. Their fans might lean to the crunchy granola side, and they did some of their most endearing work in unplugged mode, but for the most part the Dead were …

Moody’s Mood For Love

My neighbor and friend Diéry Prudent is working on a documentary on the bebop saxophonist and flutist James Moody, best known for his 1949 recording “Moody’s Mood For Love.” It’s an improvised solo over the changes to “I’m In The Mood For Love,” one of those off-the-cuff jazz solos that came out so tightly structured …

Repetition, repetition, repetition, repetition

I’ve had a lot of music teachers, formal and informal. The best one has been the computer. It mindlessly plays anything I tell it to, over and over. Hearing an idea played back on a continuous loop tells me quickly if it’s good or not. If the idea is bad, I immediately get annoyed, and …

Glenn Gould predicts remix culture

Classical music recordings are usually straightforward snapshots of live performances. Sometimes recordings are spliced together from multiple takes or overdubbed, but this practice is considered by classical musicians to be highly shameful. Glenn Gould had a very different attitude toward the studio. He loved working there, and viewed it as a more valuable creative outlet …

Scales and emotions

See also a post about making chords from scales, and all of these scales in one giant flowchart. So maybe you want to write a song or an instrumental in a particular mood or style, and you’re feeling overwhelmed by all the scales. Here’s a handy guide to the commonly used scales in Western pop, …