Reggie Watts

Back in June we went to see the incomparable Reggie Watts perform at Central Park Summerstage. I think Reggie is one of the most exciting artists of our time, but it’s difficult to verbalize exactly what he does. His performances combine improvisational music and absurdist standup comedy into a free-associative yet oddly coherent and impactful …

In praise of copying

We conventionally place a high value on originality in music. But it’s been my experience that the desire for originality gets in the way of making music that’s actually good. The closer you are to your influences, the more definite and truthful your work is. The key to quality music is to blend together an …

Capturing sound

I was doing a frivolous Google search for the Simpsons episode where Bart, Nelson, Milhouse and Ralph form a boy band. They’re in the studio singing, and they sound terrible, until the producer pushes a huge button labeled “studio magic.” Then suddenly they sound like the Backstreet Boys. While I was digging through the Google …

Doctorin’ The Top Forty

In 1988, a pair of British acid house DJs named Bill Drummond and Jimmy Cauty, known as The Justified Ancients of Mu Mu, The Timelords, or The KLF, had an improbable number one hit with “Doctorin’ The Tardis.” The track isn’t so much a song as it is an early mashup. Just about everything in it …

What does live music mean in the laptop era?

This weekend my electronica band Revival Revival is doing some shows for the first time in many months. We’ll be doing a lot of what my non-electronic-musician friends consider to be cheating. The lead vocals and guitar will be live, as will some of the synths. Everything else will be canned, recordings played back from …

Repetition, repetition, repetition, repetition

I’ve had a lot of music teachers, formal and informal. The best one has been the computer. It mindlessly plays anything I tell it to, over and over. Hearing an idea played back on a continuous loop tells me quickly if it’s good or not. If the idea is bad, I immediately get annoyed, and …

Glenn Gould predicts remix culture

Classical music recordings are usually straightforward snapshots of live performances. Sometimes recordings are spliced together from multiple takes or overdubbed, but this practice is considered by classical musicians to be highly shameful. Glenn Gould had a very different attitude toward the studio. He loved working there, and viewed it as a more valuable creative outlet …

Inside the recording process

The vast majority of music that I hear is recorded, and if you’re reading this the same is probably true of you. Most people don’t have a clear idea what the recording process is like, especially using computers. Here are my adventures in recording. I grew up in the eighties. Cassette recorders were just starting …

The case for sampling

My friend Adam, a non-musician but devoted music fan, asked me why sampling is good. He’s used to hearing me defend sampling from the accusation that it’s bad, but he’d never heard a positive argument for it. In case you’ve ever asked the same question, here’s my answer.