One of the most complicated copyright situations covered in my Musical Borrowing class is the landmark sampling lawsuit Newton v. Diamond. “Newton” is jazz flutist and composer James Newton (not to be confused with the film composer). “Diamond” is Michael Diamond, aka Mike D of the Beastie Boys. The song at issue is the Beasties’ …
Continue reading “The Beastie Boys, James Newton, and phonographic orality”
In order to shop at the Park Slope Food Coop, you have to do a monthly work shift. I do two a month, one for me and one for my wife, who is much too busy earning most of our money to do her own shifts. I work early mornings on the Receiving squad. As …
We are talking about Jamaica’s remix culture in Musical Borrowing class and how it challenges Western concepts of authorship and ownership. The class is reading the opening chapters of Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power by Larisa Kingston Mann, which connects Jamaica’s ethos of communal musical creativity to its …
Continue reading “Scientist Rids the World of the Evil Curse of the Vampires”
After reading Dilla Time, I did a deep dive into Dilla’s preferred sample sources, including the Detroit Emeralds. Here’s one of their nastiest grooves: I combined that opening groove with Charles Mingus and Vassily Kalinnikov to create one of my favorite of my own tracks: Mingus Kalinnikov by Ethan Hein According to WhoSampled.com, “You’re Getting …
This fall I’m teaching Musical Borrowing from Plainchant to Sampling at the New School. For the plainchant part of that, my example is the Dies irae sequence, which is to Western European classical music what the Funky Drummer break is to hip-hop. Dies irae (Latin for “the day of wrath”) is a medieval poem describing …
In 1973, the Ramsey Lewis Trio performed their arrangement of “Summer Breeze” by Seals and Crofts on German television. This performance has been viewed an astonishing 1.6 million times on YouTube. I learned that fact from Paul Thompson‘s analysis of the performance, which includes transcriptions of several of Cleveland Eaton’s basslines. Paul’s YouTube channel is one …
One of my favorite rap songs is “The World Is Yours” by Nas from his classic Illmatic, produced by the great Pete Rock. Here’s Tracklib’s sample breakdown:
Last weekend I went to a hip-hop jam session. There was a drummer, bassist, guitarist, pianist, and a couple of emcees, and I played samples from my laptop via Ableton. I was going through my jazz folder, dropping different things into Simplers and Drum Racks, and at one point I tried using the first few …
Why is this funny? I don’t know, but it is. Here’s the background. It means nothing, is a reference to nothing. That is so much better than if it was an in-joke. Does this have musical potential? I applied some Ableton audio-to-MIDI to find out. We’re Just Normal Men by Ethan Hein
I did not expect to hear a classic Eric B & Rakim track on The Crown, but at the end of season five, episode five, there was Dominic West as Prince Charles, dancing to this: There is a lot going on here! The track opens with an upright bass and a drum kit playing a …
