The first time I heard Manu Dibango’s “Soul Makossa” was courtesy of Motorcycle Guy, a prominent Brooklyn eccentric who drives around on a tricked-out motorcycle bedecked with lights and equipped with a powerful sound system. I encounter him every so often and he’s always bumping some good funk, soul or R&B. One night, he was …
Category Archives: Copyright and Authorship
Who are the best mashup DJs?
DJ BC is my favorite mashup artist right now. He deserves the nod just for Snoop’s Nu Shooz: [iframe_loader width=”640″ height=”360″ src=”http://www.youtube.com/embed/FIAQGtgzsJE” frameborder=”0″ allowfullscreen]
Why do people like Girl Talk?
I don’t enjoy Girl Talk’s music all that much — I find it overwhelming, like watching someone flip channels on a TV. But I think he’s really important, and anyone who cares about music, technology, originality and ownership should be paying close attention. Adam Bossy raised an intriguing idea in his answer — describing an …
Why hasn’t the recording industry sued Girl Talk?
Last year, I spoke on a panel about sampling with a few academics and copyright lawyers. One of the panelists was Martin Schwimmer, a partner in a law firm practicing trademark and copyright law. A big part of his job is going after copyright infringers. Schwimmer assured the audience that no one will ever sue …
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The Amen Break
If you had to name the most influential drummer in contemporary music, who would you pick? If you’re a rock fan, you might go with Ringo Starr, John Bonham, or Keith Moon. A jazz fan might choose Max Roach, Elvin Jones, or Tony Williams. You probably wouldn’t think to name Gregory Cylvester Coleman. But he’s …
Jay-Z and Alan Lomax
Why does folk music collector Alan Lomax have a copyright interest in “Takeover” by Jay-Z? I learned the answer from Creative License: The Law And Culture Of Digital Sampling by Kembrew McLeod and Peter DiCola. It’s a companion book to the invaluable documentary Copyright Criminals. The story of Jay-Z and Alan Lomax isn’t quite as …
Bach and Paul Simon
Since it was Easter yesterday, Anna wanted to listen to Bach’s St Matthew Passion while we did stuff around the house. A certain passage grabbed my ear, a hymn called “O Haupt voll Blut und Wunden” — in English, “O Sacred Head, Now Wounded.” This beautiful tune was immediately familiar to me, but I couldn’t …
In praise of copying
We conventionally place a high value on originality in music. But it’s been my experience that the desire for originality gets in the way of making music that’s actually good. The closer you are to your influences, the more definite and truthful your work is. The key to quality music is to blend together an …
Ashley’s Roachclip
I’m continuing my tour through hip-hop’s most classic breakbeats with “Ashley’s Roachclip” by the Soul Searchers. The drum break at 3:36 is one of those hip-hop workhorses, like “Impeach The President” and “The Funky Drummer” and “Apache.” It seems like it’s always been there. The Soul Searchers were led by guitarist Chuck Brown, known in …
Doctorin’ The Top Forty
In 1988, a pair of British acid house DJs named Bill Drummond and Jimmy Cauty, known as The Justified Ancients of Mu Mu, The Timelords, or The KLF, had an improbable number one hit with “Doctorin’ The Tardis.” The track isn’t so much a song as it is an early mashup. Just about everything in it …