Hip-hop sampling has a way of elevating obscure tracks into the cultural pantheon. “Impeach The President” by the Honey Drippers is a perfect example (the president in question is Nixon.) While the song itself isn’t well-known outside of sample geek circles, I can guarantee you’ve heard its opening few seconds. According to WhoSampled.com, it’s the …
Category Archives: Copyright and Authorship
I’m speaking on a panel
Fan Wars: Copyright vs. Mash-ups and Fan Fiction Many mash-up artists seem unaware that their work implicates any rights at all, and copyright owners may be reluctant to alienate fans with copyright restrictions. Artists such as Girl Talk remain outspoken against copyright restrictions on mash-up culture. Individual copyright owners, such as the owners of Star …
The case for sampling
My friend Adam, a non-musician but devoted music fan, asked me why sampling is good. He’s used to hearing me defend sampling from the accusation that it’s bad, but he’d never heard a positive argument for it. In case you’ve ever asked the same question, here’s my answer.
Copyright Criminals
This PBS Independent Lens documentary on sampling culture is a good one, and you can watch the whole thing on Youtube. Their resources and links page includes my Biz Markie blog post. Thanks Beautiful Decay for posting the videos. Part one:
Apache makes you go hmmm
DJ Kool Herc describes “Apache” by The Incredible Bongo Band as the national anthem of hip-hop. “Apache” includes a famous drum and percussion break that has reliably put bodies on the dance floor through hip-hop’s prehistory: [audio:http://www.ethanhein.com/music/Apache_loop.mp3]
Open-source music
Sample-based music isn’t stealing. It’s valuable and important. It shows the way toward a future for recorded music that’s more in continuity with music’s past. Recordings are cool and everything, but they encourage passivity. If I buy a recording, I can listen to it or dance to it, both fine activities, but what if I …
Bitter Sweet Symphony
The case of the “Bitter Sweet Symphony” by The Verve is one of the biggest failures of copyright law in recent history. The distinctive string sample comes from an orchestral arrangement of “The Last Time” by The Rolling Stones. Doesn’t sound much like the Verve, does it? Here’s the Andrew Oldham Orchestra‘s version, the sample …
Who owns the Michael Jackson makossa chant?
My favorite Michael Jackson song is “Wanna Be Startin’ Something.” This post is part of what’s turning into a series on it. The previous post is about the song as fan art, and some of the fan art that it’s inspired, from bootleg Youtube videos to licensed remixes. This one is about who owns the …
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Biz Markie gets the copyright smackdown
Biz Markie. Who doesn’t love him? Our broken intellectual property system, that’s who. Biz belongs to the period in the late eighties and early nineties that many hip-hop heads refer to as the golden age. The tracks of this period were dense with samples and quotes, most of which were used without permission. Biz was …
Mashups as micro-mixtapes
Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a …