Väkevä, L. (2010). “Garage band or GarageBand®? Remixing musical futures.” British Journal of Music Education, 27(01), 59. I believe that music education should engage with the music that’s meaningful to students. The field is coming to agree with me. School music programs have been gradually embracing rock, for example via Modern Band. Which is great! Unfortunately, rock stopped being …
Category Archives: Politics
Music education at the grownups’ table
I was asked by Alison Armstrong to comment on this Time magazine op-ed by Todd Stoll, the vice president of education at Jazz at Lincoln Center. Before I do, let me give some context: Todd Stoll is a friend and colleague of Wynton Marsalis, and he shares some of Wynton’s beliefs about music. Wynton Marsalis advocates for jazz as …
Space Oddity: from song to track
If you have ever wondered what it is that a music producer does, David Bowie’s “Space Oddity” provides an excellent example. A producer turns this: into this:
RIP David Bowie
Hearing the news of Bowie’s death made me go listen to Blackstar, which is excellent, his best work in I don’t know how long. His voice aged exquisitely well. So did his restless sonic adventurism: the man never settled in a style for very long. This particular one suits him.
Ethan’s Trax
Ethan’s Trax is an iTunes playlist I maintain that includes all of the music I’ve ever recorded. Well, more accurately, it’s all of the music that I care to be reminded of. I haven’t included every draft and dead end. But if a track has any artistic or sentimental value whatsoever to me, it’s in Ethan’s Trax. As of this writing, …
Resisting imperialism through secular devotion
I have struggled for years to articulate why I like the music descending from Africa so much better than the music descending from Europe. I’m a typical American in this respect. Every genre that the mainstream enjoys takes its rhythms and loop structures from the African diaspora: rock, hip-hop, and EDM, of course, but country too, and pop, which …
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Goodbye SoundCloud?
I love SoundCloud. I love it for being an exceptionally easy way to share my music with people all over the world. I love the community aspect, especially the Disquiet Junto. I have all of my students host their portfolios there. But like a lot of the electronic musicians who form the heart of the …
Diverge, converge, diverge, converge
Soon after I became a composer, Marc Weidenbaum made me a meta-composer. Which I guess makes him a meta-meta-composer? A hyperproducer? There isn’t a word for what Marc is, aside from “awesome.” The most concise way I can think of to describe what he does: he writes reviews of music that doesn’t exist yet and …
The harmonica explains all of Western music
If you want to understand the vast cultural struggle taking place in the study of Western harmony, you could do worse than to start with the harmonica. This unassuming little instrument was designed in central Europe in the 19th century to play the popular music of that time and place: waltzes, oom-pah music, and light …
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Modern classical techno
One of my Montclair State students recently did a class presentation on Venetian Snares, the stage name of highbrow electronica producer Aaron Funk. https://www.youtube.com/watch?v=qXRdINUwdqw The track uses samples from the first movement of Béla Bartók’s fourth string quartet, accompanied by shuffled slices of the Amen break. It sounds to me like an EDM artist trying …