Blues tonality

See a more beginner-friendly blues primer here. Read this treatise in Spanish, translated by Jesús Fernández. Abstract The blues is a foundational element of America’s vernacular and art music. It is commonly described as a combination of African rhythms and European harmonies. This description is inaccurate. Blues follows harmonic conventions that are quite different from …

Internet blues

Recently, WNYC’s great music show Soundcheck held a contest to see who could do the best version of the 100 year old song “Yellow Dog Blues” by WC Handy. Marc Weidenbaum had the members of the Disquiet Junto enter the contest en masse. I did my track, put it on SoundCloud, and promptly forgot all …

Reflections on teaching Ableton Live, part two

In my first post in this series, I briefly touched on the problem of option paralysis facing all electronic musicians, especially the ones who are just getting started. In this post, I’ll talk more about pedagogical strategies for keeping beginners from being overwhelmed by the infinite possibilities of sampling and synthesis. This is part of …

Composing improvisationally with Ableton Live

I just completed a batch of new music, which was improvised freely in the studio and then later shaped into structured tracks. https://soundcloud.com/ethanhein/sets/tabla-breakbeat-science I thought it would be helpful to document the process behind this music, for a couple of reasons. First of all, I expect to be teaching this kind of production a lot …

Marc Weidenbaum on remixes

There’s an interview on the Creative Commons blog with Disquiet Junto instigator and Aphex Twin historian Marc Weidenbaum. It’s full of his usual keen insight. Here are some key quotes.

Recording Peter Gabriel’s Security

This post was originally written for the Play With Your Music blog. Also be sure to check out our interview with engineer Kevin Killen and drummer Jerry Marotta. Peter Gabriel’s songwriting and recording process in the early 1980s was unusual for its technological sophistication, playfulness and reliance on improvisation. While Peter was considered avant-garde back …

TufAmerica suing Frank Ocean is ridiculous

Maybe, like me, you’re a fan of “Super Rich Kids” by Frank Ocean featuring Earl Sweatshirt. Maybe, like me, you were especially delighted by the part at 1:59, when Frank unexpectedly quotes “Real Love” by Mary J. Blige. A “record label” (really a group of lawyers) called TufAmerica heard that quote too, and now they’re …

Against Music Theory – some commentary

My fellow music tech student Laura Dickens had some thoughts about my recent music theory rant. This is a lightly edited version of our Facebook conversation. Laura: Have you ever read any Susan McClary? I feel like you could probably get into that… Me: Yes! Susan McClary is the best! She shares my belief in …

Hereditary units in music

Another thought-provoking Quora question: Are there any hereditary units in music? The question details give some context: In his blog post “The Music Genome Project is no such thing,” David Morrison makes an edifying distinction between a genotype and a phenotype. He also makes the bold statement “there are no hereditary units in music.” Is …

Why do suburban white kids like gangsta rap?

A followup post to White People And Hip-Hop First, a little on my background. I’m not from the suburbs, I’m from New York City. My experience growing up was an odd blend of the city and the suburbs. I lived in a posh little corner of an otherwise pretty tough neighborhood. I attended a very …