How should we be teaching music technology?

This semester, I had the pleasure of leading an independent study for two music students at Montclair State University. One was Matt Skouras, a grad student who wants to become the music tech teacher in a high school. First of all, let me just say that if you’re hiring for such a position in New …

My Montclair State students evaluate me

I’m wrapping up my first semester as a legit college professor, and that means my first round of student evaluations. Here’s what my Intro to Music Tech students at Montclair State University had to say about me. The creation of original music was a big hit, predictably. Everyone in the class is from the classical …

Adam Bell evaluates my teaching

Adam Bell is a fellow pop musician turned academic, and he hired me to teach at Montclair State University. He recently offered to observe my teaching; here’s what he found. Teaching Observation of Ethan Hein – MUTC-101: Introduction to Music Technology As the students began to trickle into the music technology lab and power up …

What if music theory made sense?

Music theory is hard. But we make it harder by holding on to naming and notational conventions that are hundreds of years old, and that were designed to describe very different music than what we’re playing now. Here are some fantasies for how note naming might be improved. Right now, the “default setting” for western …

Composing for controllerism

My first set of attempts at controllerism used samples of the Beatles and Michael Jackson. For the next round, I thought it would be good to try to create something completely from scratch. So this is my first piece of music created specifically with controllerism in mind. The APC40 has forty trigger pads. You can …

Ableton Session View and instrument design

We usually think of “recorded” and “live” as two distinct and opposed forms of music. But technology has been steadily eroding the distinction between the two. Controllerism is a performance method using specialized control surfaces to trigger sample playback and manipulate effects parameters with the full fluidity and expressiveness of a conventional instrument. Such performance …

All student work should go on the web

Well, it’s official. All of my students are now henceforth required to post all music assignments on SoundCloud. It solves so many problems! No fumbling with thumb drives, no sharing of huge files, no annoyances with incompatible DAWs. No need to mess with audio-hostile Learning Management Systems. Everyone gets to listen to everyone else’s music. …

Will musicians ever be replaced by robots?

A Quora user asks whether artificial intelligence will ever replace human musicians. TL;DR No. If music composition and improvisation could be expressed as algorithmic rule sets, then human musicians would have reason for concern. Fortunately, music can’t be completely systematized, much as some music theorists would like to believe it can be. Music is not …

Panel on games in education

I contributed a chapter to a soon-to-be-released book, Learning, Education and Games (Volume One): Curricular and Design Considerations. I wrote about the potential value of video games  in music education. The book will be out in October 2014. Here’s the table of contents. We’re having a launch party on October 9th at the NYU Game …

Electronic music tasting menu

Right now I’m teaching music technology to a lot of classical musicians. I came up outside the classical pipeline, and am always surprised to be reminded how insulated these folks are from the rest of the culture. I was asked today for some electronic music recommendations by a guy who basically never listens to any …