Okay, so we’ve all firmly established that he’s not exactly a model of decorum. President Obama called him a jackass. Even before he disrupted the MTV awards, a lot of my friends disliked him intensely. This dislike crosses racial, class and gender boundaries.
And yet, I like Kanye’s music better than just about anything that anyone is making, and I like it up there with the best stuff ever made by anyone.
Continue reading “In spite of everything, I still listen to Kanye West all the time”
My family does not, as a general rule, dance. Maybe individually. Very rarely together. It takes a wedding or bar mitzvah or other major state occasion to get even some of us on the dance floor. When left to our own devices, it doesn’t happen spontaneously. At least not until last Thanksgiving, when we tried out Dance Dance Revolution.
Every Thanksgiving, or every other, the whole mishpokeh gathers at my mom and stepdad’s place in Vermont. We have a good time eating and hanging out, watching football on TV and taking walks on the dirt roads. In the past couple of years we’ve started reintroduced video games into the mix. Katamari Damachy was a hit with some of my younger cousins. But Dance Dance Revolution turned out to be the really big smash. It was my sister’s then-boyfriend, now-fiance who had the idea, and he deserves mad props for thinking of it. The whole clan got involved, from the toddlers up to the seniors.
My favorite Michael Jackson song is “Wanna Be Startin’ Something.” This post is part of what’s turning into a series on it. The previous post is about the song as fan art, and some of the fan art that it’s inspired, from bootleg Youtube videos to licensed remixes. This one is about who owns the song, specifically the famous chant at the end. Here’s a list of everybody who I think could reasonably make a claim.
He wrote “Soul Makossa,” the inspiration for MJ’s chant.
Continue reading “Who owns the Michael Jackson makossa chant?”
Over the weekend we stayed with Anna’s sister Joanna, her husband Chris and their adorable new baby Lucas. Chris and I spent some of the time talking about electronic music and the internet. He’s a social media professional and a music fan but not a musician, and it was cool to hear his perspective on how people could use the web for production, not just sharing completed tracks. Then I got home and discovered the iNudge in my Delicious network feed:
Click around, it’s fun. The different colored squares on the right are all different instruments. The one on the bottom is a drum machine.
Today the Michael Jackson fan art I have on my mind (and on the iPod) is “Please Don’t Stop The Music,” sung by Rihanna and produced by a couple of Norwegian guys. It includes a sample of MJ singing “Wanna Be Startin’ Something.” The sample includes both his quasi-Swahili chant and his unearthly woo-hoo. It runs under almost the entire song after the first minute, with dramatic filter sweeping and what sounds like some vocoder.
MJ never made a video for “Wanna Be Startin’ Something,” leaving a vacuum that the fans are only too happy to fill. This video even includes footage of MJ’s video game.
This MJ song has inspired a lot of fan art, maybe because it is itself fan art. The music industry likes to send lawyers after people who make fan art, which is dumb and self-destructive on their part. No fan art, no art.
Rhymefest is best known for co-writing “Jesus Walks” with Kanye West. He did this incredible Michael Jackson mixtape with Mark Ronson and a slew of A-list guest stars, a whole year before MJ died while the rest of the world was sleeping on him. Click for the free download:
Continue reading “Rhymefest is looking at the man in the mirror”
See a followup post about female remixes of “A Milli”
Lil Wayne and I have some differences of style and taste: about facial tattoos, about drinking cough syrup recreationally, about jewelry on one’s teeth. But we agree about music. He brags constantly that he’s the best rapper alive. I think he makes a pretty good case.
I revere Björk above most other musicians. She knows how to balance the coldness of electronic production with hotly unpredictable vocals and instrumental textures. Not everybody loves Björk as much as I do; her approach is eccentric and her sound gets on some people’s nerves. It took me a couple years to be convinced by her. I’m glad I hung in there, because she’s been one of my best teachers in the art of making music with computers.
Update: hear my 5.1 surround remix of “Here Comes The Sun.”
Why are the Beatles still so cool? By which I mean the late Beatles, Revolver onwards. I like Please Please Me as much as the next guy, but it isn’t why the Beatles are cool now. No, I mean the last few records, especially Sgt Pepper, the White Album and Abbey Road. If any of these albums were released next week, Pitchfork would go ballistic over them. Three quarters of the indie rock of the past ten years descends directly from Abbey Road. Why do we all still care so much?
This is a picture of my electronic funk-soul-R&B band doing a show. From left to right, it’s Nicole Bishop, me and Barbara Singer. We were the whole band for that show. I did all the beats, samples and keyboards from my computer using a video game controller.
Here’s a screenshot of the program that the game controller is connected to.
The outer space background is my desktop image and isn’t part of the program itself. But maybe it should be.
