Classical composers, Bowie and Björk

This post originally took the form of a couple of Twitter threads, which I’ve collected and edited here for easier reading.

Greg Sandow asks two very interesting and provocative questions of classical music:

When the Museum of Modern Art did its first retrospective of a seminal musical artist, no surprise it was Björk who reached past music into the larger cultural world. Some day, couldn’t somebody from classical music do that? When a major musical artist died and the New York Times did more than 20 stories tracing his influence on our culture and on people’s lives, well, of course it was David Bowie. Couldn’t it someday be someone from classical music?

My answer: Probably not.

Björk in 1993 by Jean-Baptiste Mondino David Bowie

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Games for learning research method overview: interviews

Note-taking for Research on Games and Simulations with Jan Plass

Interview With The Vampire

Magnusson, C., Rassmus-Gröhn, K., Tollmar, K., and Deaner, E. Haptimap User Study.

Gomoll, K. & Nicol, A. (1990). User Observation: Guidelines for Apple Developers.

The Apple developer guidelines recommend incorporating user observation and feedback early and often in the software design process. Rather than receiving a set of requirements and then executing against them, developers should make prototypes quickly, test them regularly, and then iterate repeatedly. While these guidelines refer to observations of users as they interact directly with an application, they can also inform the process of interviewing users.  Continue reading “Games for learning research method overview: interviews”

Descriptive Participant Observations on the Culture of the Park Slope Food Coop

Writing assignment for Approaches to Qualitative Inquiry with Colleen Larson

The Park Slope Coop (PSFC) is a nonprofit organization founded in 1973. It offers sustainably and ethically produced food and grocery items. Because it needs only to cover costs rather than turn a profit, the PSFC’s prices are substantially lower than a typical Brooklyn grocery store. Since its founding, it has grown from a small ad-hoc organization into a substantial neighborhood institution with over 17,000 members. Only Coop members are allowed to shop, and members are required to work a monthly two hour and forty-five minute volunteer shift. This is unusual—most food coops give members the option of paying a membership fee rather than working. The PSFC is managed by a core staff of paid employees, but members perform much of the day-to-day labor, which helps keep costs low.

Park Slope Food Coop exterior

The aisles are narrow, stacked floor to ceiling with inventory. Per the web site, the store carries “local, organic and conventionally grown produce; pasture-raised and grass-fed meat; free-range, organic and kosher poultry; fair-traded chocolate and coffee; wild and sustainably farmed fish; supplements and vitamins; imported and artisan cheese; freshly baked bread, bagels and pastries; bulk grains and spices; environmentally safe cleaning supplies, and much more.” The PSFC generates over fifty million dollars in sales revenue per year, with a “shrink rate” (merchandise lost, damaged or stolen) of about half the industry average. The environment feels markedly different from a typical grocery store. There is a conspicuous absence of candy, magazines, soda, marketing aimed at kids, and branding and marketing generally. The only periodical available is the PSFC’s own Linewaiter’s Gazette, which resembles a high school newspaper.

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Frank Ocean – Pink and White

I’m working on a new music theory course with the good folks at Soundfly, a continuation of Theory For Producers. We were looking for contemporary songs that use modal interchange, combinations of different scales to create complex blends of emotion. Soundfly producer Marty Fowler suggested a Frank Ocean song, which I was immediately on board with.

Frank Ocean - Blond

Frank is one of the freshest musicians and songwriters out there–his song “Super Rich Kids” is one of my favorite recent tracks by anyone. For the course, Marty picked “Pink And White,” a simple tune with a deceptively complex harmonic structure.

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The Interpretive Turn: From Sociological Positivism to Constructivism

Note-taking for Approaches to Qualitative Inquiry with Colleen Larson

Willis, J.W., (2007) Foundations of Qualitative Research, Sage, chapters 1-4.

Jerry Willis - Foundations of Qualitative Research

The simplest way to define the difference between quantitative and qualitative research methods is that one uses numbers and the other uses words. But in reality, qualitative researchers use stats too, and all quantitative studies contextualize their findings with qualitative arguments. The real difference is not in the type of data being collected and studied; it’s the foundational assumptions behind each method, otherwise known as their underlying paradigms.

Paradigms of inquiry Continue reading “The Interpretive Turn: From Sociological Positivism to Constructivism”

More salsa-dancing social science

Note-taking for Principles of Empirical Research with Catherine Voulgarides

Continuing with Salsa Dancing Into The Social Sciences by Kristin Luker. See the first part of the discussion here.

Salsa Dancing Into The Social Sciences

Canonical sociologists usually have well-bounded sets of questions, and answer them using well-bounded sets of theories and previous findings. Qualitative researchers have questions that emerge out of theoretical and purposive open-ended research. Luker describes the case that “chooses you,” or “the one that you sample yourself into.” You want to ask: What is this a case of? and: How do you expand it to another level of generality?

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Measurement in games for learning research

Note-taking for Research on Games and Simulations with Jan Plass

Flow

Kiili, K., &; Lainema, T. (2008). Foundation for Measuring Engagement in Educational Games. J of Interactive Learning Research, 19(3), 469–488.

The authors’ purpose here is to assess flow in educational games, to “operationalize the dimensions of the flow experience.” A flow state involves deep concentration, time distortion, autotelic (self-motivating) experience, a loss of self-consciousness, and a sense of loss of control.

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The role of culture in interpretive inquiry

Note-taking for Approaches to Qualitative Inquiry with Colleen Larson

Geertz, C. “Thick description: Toward an interpretive theory of culture.” In The Interpretation Of Cultures. New York: Basic Books, pp. 3-30, 1973

Clifford Geertz - The Interpretation of Cultures

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The Craft of Research and Salsa Dancing

Note-taking for Principles of Empirical Research with Catherine Voulgarides

The Craft of Research by Wayne Booth, Gregory Colomb and Joseph Williams is a sober and traditional guide to humanities scholarship.

The Craft of Research

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Introduction to Research on Games and Simulations

Note-taking for Research on Games and Simulations with Jan Plass

In this post I’m summarizing some writing about the foundations of research on games for learning. It’s a dry topic, so to enliven it I’ve included a bunch of screencaps from Mega Man 2. They have nothing to do with anything, but they look cool.

Mega Man 2 giant fish

Plass, J.L., Homer, B.D., & Kinzer, C. (2015). Foundations of Game-based Learning. Special Issue on Game-based Learning, Educational Psychologist, 50(4), 258–283.

What is a game exactly? One definition: “a system in which players engage in an artificial conflict, defined by rules, that results in a quantifiable outcome” (Salen & Zimmerman 2004, 80). Gamification is the grafting of points and stars onto existing tasks, like completing your boring homework. By contrast, game-based learning is more like Logical Journey of the Zoombinis – organically placing learning activities into a conflict structure to make them interesting and engaging.

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