The Ethan Hein Blog

Jazz musicians think of chords and scales as two different ways of looking at the same thing: a group of pitches that sound good together. If you organize the pitches sequentially and play them one at a time, you get a scale. If you stack them up and play them simultaneously, you get chords. Here’s a guide to some of the most commonly-used scales in Western music and their moods. And here’s a guide to the most commonly-used chords.

To make a chord, you start on the first note of a scale and then move up it in thirds, meaning that you skip every alternating note. To get more notes for your chord, just keep adding thirds on top.

• If you start on the first scale degree, add the third scale degree, and then add the fifth scale degree, you get a simple three-note chord called a triad.
• If you add the seventh scale degree on top, you get a seventh chord.
• Next you come to the ninth note of the scale, which is really just the second note an octave up. Adding it gives you a ninth chord.
  
• Then you come to the eleventh note of the scale, which is the fourth note an octave up. Adding it gives you an eleventh chord.
• Finally, you arrive at the thirteenth note of the scale, which is the sixth note an octave up. Adding it gives you a thirteenth chord.
• The next third after the thirteenth is just the root of the scale. You’ve now used every possible note in your chord.

Hear extended chords built from a variety of scales:

Here’s a simplified chart of this song:

Continue reading “Making chords from scales”