Musical Simples: Superstition

If you had to explain funk to a visitor from outer space, Stevie Wonder’s “Superstition” would be a great place to start.

Aside from the refrains at the end of each verse, the entire tune consists of variations on a single two-bar clavinet riff on the E-flat minor pentatonic scale. The scale might have a daunting name, but it’s extremely easy on the piano: just play the black keys.

superstition-circles

The minor pentatonic scale is found in almost all world musical cultures. It’s no great mystery why everyone likes it: you can play the five notes in any order and any combination and nothing will ever sound bad. Notice that the scale notes are right next to each other on the circle of fifths above. Each note shares a lot of its constituent overtones with its neighbor, so it’s no wonder they all feel so closely related to each other.

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Here’s what’s cooking with the NYU MusEDLab

I’m a proud member of the NYU Music Experience Design Lab, a research group that crosses the disciplines of music education, technology, and design. Here’s an overview of our many ongoing projects.

MusEDLab logo

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Resisting imperialism through secular devotion

I have struggled for years to articulate why I like the music descending from Africa so much better than the music descending from Europe. I’m a typical American in this respect. Every genre that the mainstream enjoys takes its rhythms and loop structures from the African diaspora: rock, hip-hop, and EDM, of course, but country too, and pop, which blends together all of the above. The music academy remains firmly rooted in the Western European classical tradition, but even in Europe, popular music is dominated by loops of heavy percussion. Why?

Timothy Brennan gives a compelling answer in his book Secular Devotion: Afro-Latin Music and Imperial Jazz. White dudes like me are attracted to the music of the African diaspora because it’s a way for us to unconsciously enact traditional African religious practices. And why would we want to do enact African religious practice? Because it helps us resist Judeo-Christian morality and industrial capitalism.

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Hit Me Baby

The most appalling song that appears on Mad Men is over the closing credits of the fifth season episode “Mystery Date.” It is not Carole King and Gerry Goffin’s finest work.

It’s easy to cluck your tongue at 1962. They were so primitive back then! Surely we’re doing better now. Right? Well…

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User interface case study: Patterning

The folks at Olympia Noise Co recently came out with a new circular drum machine for iOS called Patterning, and it’s pretty fabulous.

Patterning

The app’s futuristic look jumps right out at you: flat-colored geometric shapes with zero adornment, in the spirit of Propellerhead Figure. There’s nothing on the screen that doesn’t function in some way. It’s a little dense at first glance, but a complex tool is bound to have a complex interface, and Patterning reveals itself easily through exploration.

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Goodbye SoundCloud?

I love SoundCloud. I love it for being an exceptionally easy way to share my music with people all over the world. I love the community aspect, especially the Disquiet Junto. I have all of my students host their portfolios there. But like a lot of the electronic musicians who form the heart of the SoundCloud userbase, I’m running into some problems with copyright.

Recently, I needed to unwind from a stressful morning, so I fired up Ableton, put in some Super Mario Bros mp3s and James Brown breaks, and went to town. I uploaded the results to my SoundCloud page, as usual, but got one of their increasingly frequent copyright notices.

SoundCloud copyright notice

I’ve uploaded a lot of material to SoundCloud that violates copyright law in various ways, and for the most part, no one has made any objection. I’ve occasionally used some long intact samples that triggered takedown notices, but my remixes and mashups are usually transformative enough to slip through the filter. Lately, however, I’m finding that SoundCloud has dramatically stepped up its copyright enforcement. A few months ago, I could have posted my Super Mario Bros/James Brown mashup without any trouble. Not any more.

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The Great Cut-Time Shift

There has been a dramatic shift in American popular music’s grooves over the past sixty or so years. To understand it, you need to know what swing is. Here is a piece of music played without swing:

Here is that same piece of music played with swing:

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Prototyping Play With Your Music: Theory

I’m part of a research group at NYU called the Music Experience Design Lab. One of our projects is called Play With Your Music, a series of online interactive music courses. We’re currently developing the latest iteration, called Play With Your Music: Theory. Each module presents a “musical simple,” a short and memorable loop of melody or rhythm. Each simple is a window into one or more music theory concepts. Users can learn and play with the simples using a new interface called the aQWERTYon, which maps scales and chords to the regular computer keyboard.

aqw screengrab

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Musical Necker cubes

The simplest and most effective optical illusion ever is the Necker cube. Which side is in front? The answer is both and neither. Very Zen.

Necker cube

In the process of gathering musical simples, I found a P-Funk loop with a similar effect. It’s a keyboard lick from “Do That Stuff” from The Clones Of Dr Funkenstein.

Do That Stuff compound simple - notation

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Rhythmic simples

In the service of teaching theory using real music, I’ve been gathering musical simples: little phrases and loops that are small enough to be easily learned, and substantial enough to have expressive value. See some representative melodic simples, more melodic simples, and compound simples. This post showcases some representative rhythmic simples, more commonly known as beats, grooves, or drum patterns. They’re listed in increasing order of syncopation, also known as hipness. Click each image to hear the interactive Noteflight score.

Boots N Cats

Boots n Cats rhythmic simple

The basis of “Billie Jean” and many other great beats. Continue reading “Rhythmic simples”