I learned the terms “beginning-accented melody” and “end-accented melody” from The Musical Language of Rock by David Temperley. The terms mean what they sound like: a melodic phrase whose accent is either at its beginning or its end. This seems like the definition of a purely academic theory concept, but it turns out that end-accentedness …
Continue reading “End-accented phrases make melodies sound cool”
MusicRadar has so far mostly only asked me to write about music that I like, but once in a while I have to put my own preferences aside. I did it for Wonderwall, and this week I did it again for ABBA.
Augmented chords don’t come up much, but they are on the aural skills syllabus, and they have that specific quality that no other harmony can create. Their uncanny zero-gravity quality is the result of their symmetry. Any note in an augmented triad could function as its root. When you write the augmented chords on the …
