Since I’m teaching the twelve-bar blues to some guitar students, I figured I’d put the lessons in the form of a blog post. Blues is a big topic and this isn’t going to be anything like a definitive guide. Think of it more as a tasting menu. Blues is a confusing term. You probably have …
Tag Archives: blues
Blues for the Jews
December is always a complex month for half-Jewish mutts like me. When pressured to self-identify, I usually just go with “Jewish” for the sake of simplicity, but this is in spite of not having being bar mitzvahed, not knowing any Hebrew, having only the vaguest idea what all the holidays and rituals mean, and having …
The mystical tritone
I’ve picked up some new guitar students lately, so I’m once again doing a lot of explaining what a tritone is and why people should care. Whenever I find myself explaining something a lot, I like to encapsulate it as a blog post. So here we go. A tritone is the interval between the notes …
Blue notes and other microtones
Update: here’s a deeper and better-informed explanation of blue notes. Blue notes are a big part of what makes the blues sound like the blues. Most other American vernacular music uses blue notes too: jazz, funk, rock, country, gospel, folk and so on. In the video below, John Lee Hooker hits a blue note in …
Authenticity
When I was younger I was obsessed with authenticity in music. I wouldn’t even play electric guitar because it felt too easy, like cheating somehow. I expended a lot of energy and attention trying to figure out what is and isn’t authentic. Now, at the age of 34, I’ve officially given up. I doubt there’s …
Open-source music
Sample-based music isn’t stealing. It’s valuable and important. It shows the way toward a future for recorded music that’s more in continuity with music’s past. Recordings are cool and everything, but they encourage passivity. If I buy a recording, I can listen to it or dance to it, both fine activities, but what if I …
When The Levee Breaks
The drum intro from Led Zeppelin’s “When The Levee Breaks” is the perfect embodiment of The Awesome Majesty Of Rock. What makes John Bonham’s drums on this track so staggeringly heavy? Partially it’s his playing, and partially it’s the innovative production. Bonham’s performance was recorded by engineer Andy Johns in Headley Grange, a Victorian-era house …