I am approaching my New School songwriting class differently this semester: rather than having students write songs in particular styles, I am having them write using particular forms and structures. For example, for the blues unit, they don’t have to write in a blues style, but they do have to use the twelve-bar blues form. …
Tag Archives: Brad Mehldau
The bottom number in time signatures has always confused me
The top number in a time signature is easy to understand. Is the song in four? Count “one, two, three, four.” Is it in three? Count “one, two, three.” Is it in five? Count “one, two, three, four, five.” That’s all there is to it. However, the bottom number is another story. What is going …
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Improvising countermelodies
How do you improvise a countermelody? Listen to things in the music and respond: imitate, vary, fill in gaps. Which tracks, though? Start with music that is harmonically uncomplicated enough that you can predict where it’s going, but with enough rhythmic interest to give you something to react to. I do not recommend the blues …
Polymeter vs polyrhythm
As I continue to build groove pedagogy resources, I want to clear up some persistent confusion about polymeter and polyrhythm. If you don’t feel like reading the whole post, it can be summed up in this image: The most concisely I can put this into words: In polymeter, the grid lines are aligned, but the …
Life On Mars?
I’m writing about this song at the request of my friend Benjie de la Fuente, but also because my kids like it. (They have liked David Bowie since seeing Labyrinth, but now they’re getting interested in his non-Labyrinth music too.) It makes sense that this tune would seize my son’s imagination, because he likes classical …
RIP Wayne Shorter
In 2013, Wayne Shorter said, “The word ‘jazz’ to me only means ‘I dare you.’” I love Wayne’s playing and writing without always understanding it. I got exposed to both via Miles Davis, who put Wayne’s tunes at the center of his late 1960s albums. Here’s “Orbits” from Miles Smiles. And here’s an orchestral arrangement …
For No One
The Beatles were not always a rock band, especially not when it came to the Paul songs. This is a frequently cited example of baroque pop, a cousin of “Eleanor Rigby” and “She’s Leaving Home.” Paul is playing piano and clavichord, Ringo plays drums and maracas, and the delightfully-named Alan Civil plays the French horn. …
Brad Mehldau plays the Beatles
Brad Mehldau has a new album out of solo piano arrangements of Beatles songs (plus one David Bowie song for some reason.) It’s a good one! Your Mother Should Know: Brad Mehldau Plays The Beatles by Brad Mehldau
Dear Prudence
John Lennon supposedly thought that “Dear Prudence” was his best song. I agree. I have spent more time playing and remixing it than anything else in the Beatles catalog, and I continue to find new layers.