If you want to understand Western music theory, the circle of fifths is an invaluable tool. For one thing, it can help you understand how key signatures work. But it also helps explain how the major scale and diatonic modes relate to each other, and gives a possible explanation for why they sound good. Here’s …
Continue reading “Scales, keys and modes on the circle of fifths”
Mozart is mostly not to my taste, but there is no denying that the man could write a melody. My favorite melody of his is the one from the second movement of his Piano Concerto No. 21 in C major. I like Daniel Barenboim’s interpretation the best; everyone else plays it too fast for me. …
Continue reading “Remixing Mozart’s Piano Concerto No. 21 – Andante”
Recently I have been digging deep into the Bach Chaconne. Since I’m a poor music reader, I’ve been using Ableton Live to remix, loop, and analyze the piece, both in audio and MIDI form. It’s working! The structure of the Chaconne makes sense to me now when I hear it, and I’m learning to play …
Most of my students struggle with key signatures. This is understandable! Like the rest of the Western notation system, key signatures are based on a big assumption: that all of the notes will be within one of the twelve major keys, or within some scale that can be derived from a major scale (most often, …
I’m teaching melody in music theory class this month, and nobody wrote better melodies than Bach. If you want to learn how to use single note lines to imply chord changes and counterpoint, the prelude to his first cello suite is a whole textbook worth of wisdom for you. My favorite interpretation is by Mstislav …
Continue reading “Bach’s Suite for Solo Cello No. 1 – Prelude”
Music evolves the way life does: through change in the heritable characteristics of populations over successive generations. Most of the heritable characteristics of music are abstractions like rhythm patterns and chord progressions. However, you can also see heritability at work more obviously in the form of sampling. It’s especially illuminating when a song samples a …
I turned this post into an academic journal article with proper citations–click to read it in Visions of Research in Music Education. Also see the Adam Neely video! White people appropriating black music is America’s main contribution to world culture. Black music itself is a big deal, too, but it is dwarfed by the commercial …
Continue reading “White people with acoustic instruments covering rap songs”
In my continuing quest to learn the classical canon through remixing with Ableton Live, I’ve taken on Bach’s Minuet in G major. Which is apparently not by Bach at all, but rather by some guy named Christian Petzold. Live and learn. A minuet is a dance, but in 2018, it’s hard to dance in triple meter. …
Following up on Debussy’s “Claire De Lune”, I’ve taken on another of the greatest hits of the classical canon that my ear does not intuitively understand: Erik Satie’s “Gymnopédie No 1“.
This video recently made the rounds on Facebook: I was thinking about “Clair de Lune” and how strange and complicated the rhythm is. I was humming it to myself and couldn’t figure out where the downbeats were. I have previously used Ableton Live to help me learn a classical piece aurally, so I figured I …
Continue reading “Learning Debussy’s “Clair de Lune” with Ableton Live”
