Dark Star part two

RIP Phil Lesh, who passed on while I was writing this. In the first part of this post, I analyzed the Live/Dead recording of “Dark Star” and compared it to several other versions. In this part, I survey the academic literature about the tune, of which there is a surprisingly large amount. First, let’s consider …

Marked

Note-taking for Principles of Empirical Research with Catherine Voulgarides Pager, Devah. (2007). MARKED: Race, Crime, and Finding Work in an Era of Mass Incarceration. Chicago: University of Chicago Press. Page 21 of Pager’s book includes this chart, showing annual prison admissions for drugs by race in the United States. In the 1980s, we imprisoned roughly the same …

Despite the Best Intentions

Note-taking for Learning of Culture with Lisa Stulberg The final reading for Learning of Culture is Despite the Best Intentions: How Racial Inequality Thrives in Good Schools by Amanda Lewis and John Diamond.

A modern classical fan responds

I’ve talked a lot of smack about high modernist music on this blog recently. Yesterday I got an email from a composer named Evan Kearney with some thoughtful reactions. Here’s what he had to say: [Y]ou wrote that you didn’t ‘get’ High Modernism (serialism, Webern, Pierre Boulez, Elliot Carter, etc.) and what it offered for …

Good old Grateful Dead

See also a post about the Dead and electronic music. Whenever I play guitar, it comes out sounding like Jerry Garcia. I can’t help it. From the ages of fifteen to twenty, my guitar-learning years, there was no musician I cared more about in the world than Jerry. Contrary to popular stereotype, I didn’t care …