I continue to refine my new groove pedagogy method: teach a complicated rhythm by presenting a very simplified version of it, then a less simplified version, then a less simplified version, until you converge on the groove in its full nuance. Imagine a pixelated image gradually gaining resolution. My goal with this is to have …
Tag Archives: drumming
There Was A Time (I Got To Move)
Being a fan of James Brown can be a challenge, because his classic songs have all been recorded multiple times in different versions with different names on different labels. “I Got To Move” is a case in point. It was first released on In The Jungle Groove in 1986, but was recorded back in 1970. …
Led Zeppelin and the folkloric integrity of the blues
There is a fascinating moment in “When The Levee Breaks” by Led Zeppelin where Robert Plant plays a very flat ninth on the harmonica. I love this note, because there is so much music theory and history encoded within it. Listen at 0:41. Before we can get into the details of this note and what …
Continue reading “Led Zeppelin and the folkloric integrity of the blues”
Dilla Time in “Chameleon”
After reading and re-reading Dan Charnas’ Dilla Time, now I’m listening to music with new attention to rhythmic subtleties. I have especially been digging into the relationship between J Dilla and Herbie Hancock–Dilla sampled Herbie on “Get Dis Money” and “Zen Guitar.” That digging made me go back to my favorite Herbie tune with fresh …
The best guitar solo ever recorded
The best guitar solo ever recorded is in Prince’s 1986 classic “Kiss.” Don’t be fooled by Wendy Melvoin’s mimed guitar playing in the video; Prince himself played the solo. It might seem unfair that one of the best singers, songwriters, dancers, bandleaders and producers in history should also have played history’s best guitar solo, but, …
Let’s ditch “The Star-Spangled Banner” and make “Lean On Me” our national anthem instead
Over the summer, with the BLM protests raging, my fellow music educators were doing a lot of soul-searching about the more problematic items in the traditional repertoire. The conversation inevitably turned toward “The Star-Spangled Banner,” with some questions about its appropriateness as a national anthem. Francis Scott Key owned slaves, and the third verse of …
Children of Production
My four-year-old daughter is currently super into “Children of Production” from Parliament’s classic 1976 album The Clones of Dr Funkenstein, their followup to Mothership Connection. If that album called down the holy mothership, this one introduces you to its occupants. This is the kind of groove that sounds effortless until you try playing it. Here’s …
Live scoring with No Country for Old Men: update
This week in Fundamentals of Western Music class at the New School, we did an in-class improvisation exercise, where students created spur-of-the-moment scores to scenes from No Country for Old Men. I did this in response to being told by a faculty evaluator that I should have more music-making during class, a suggestion I strongly …
Continue reading “Live scoring with No Country for Old Men: update”
The Groove Pizzeria
For his NYU music technology masters thesis, Tyler Bisson created a web app called Groove Pizzeria, a polyrhythmic/polymetric extension of the Groove Pizza. Click the image to try it for yourself. Note that the Groove Pizzeria is still a prototype, and it doesn’t yet have the full feature set that the Groove Pizza does. …
The fake and the real in Chance the Rapper’s “All We Got”
[I wrote this before Kanye went full MAGA; I have since lost some enthusiasm for him.] Every semester in Intro to Music Tech, we have Kanye West Day, when we listen analytically to some of Yeezy’s most sonically adventurous tracks (there are many to choose from.) The past few semesters, Kanye West Day has centered …
Continue reading “The fake and the real in Chance the Rapper’s “All We Got””