Update: I’ve turned this post into an academic article. Here’s a draft. The title of this post is also the title of a tutorial I’m giving at ISMIR 2016 with Jan Van Balen and Dan Brown. Here are the slides: Why Hip-Hop Is Interesting from Ethan Hein The conference is organized by the International Society for Music Information …
Tag Archives: Grandmaster Flash
Prepping my rap and rock class at Montclair State
This summer, I’m teaching Cultural Significance of Rap and Rock at Montclair State University. It’s my first time teaching it, and it’s also the first time anyone has taught it completely online. The course is cross-listed under music and African-American studies. Here’s a draft of my syllabus, omitting details of the grading and such. I welcome your questions, comments …
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Hip-hop top 100
I was asked on Quora to give a list of my favorite hip-hop songs, because what better source is there than a forty-year-old white dad? (I am literally a mountain climber who plays the electric guitar.) I did grow up in New York City in the 80s, and I do love the music. But ultimately, …
Originality in Digital Music
This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it …
One for the treble, two for the bass
I’ve been hearing this line in a lot of hip-hop songs: “One for the treble, two for the time” or “One for the treble, two for the bass” or some variation. I wanted to find out what everybody’s quoting. After some internet detective work, here’s what I’ve got. The phrase is a play on the …
Apache makes you go hmmm
DJ Kool Herc describes “Apache” by The Incredible Bongo Band as the national anthem of hip-hop. “Apache” includes a famous drum and percussion break that has reliably put bodies on the dance floor through hip-hop’s prehistory: [audio:http://www.ethanhein.com/music/Apache_loop.mp3]
Breakdance
I can’t breakdance. I want to learn. It looks like fun. When I worked for the Parks Department I was involved in their afterschool programs. One of them met in the Alfred E Smith Recreation Center in the housing project of the same name. In the basketball gym, Roc-a-fella (the b-girl, not the record label) …
DJ on the one and two
Turntablists use record players to play records in ways they weren’t meant to be played. By speeding up, slowing down and reversing the record under the needle, a whole universe of new sounds becomes possible. The record player as musical instrument is still in its early stages of development. DJs already invented the instrumental sound …
Mashups as micro-mixtapes
Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a …