NYU Steinhardt is assigning this blog in its music theory and aural skills core classes

Last night I went to a holiday party for NYU Steinhardt’s music education program, where I got my PhD and where I have been teaching the Technology and Pop Practicum courses for several years now. Steinhardt has been overhauling its core music theory and aural skills curricula, and while I am highly interested in this …

I made a new track for teaching swing

When I teach swing, I like to play examples of the same piece of music with and without swing for ease of comparison. My favorite comparison is between “Dance of the Sugar Plum Fairy” from the Nutcracker Suite and “Sugar Rum Cherry” by Duke Ellington. This isn’t an exact comparison, though, because Ellington does more …

There Was A Time (I Got To Move)

Being a fan of James Brown can be a challenge, because his classic songs have all been recorded multiple times in different versions with different names on different labels. “I Got To Move” is a case in point. It was first released on In The Jungle Groove in 1986, but was recorded back in 1970. …

Here is a web based music education tool that I wish existed

It is awesome that you can embed interactive Noteflight scores in a web page, like so:  But for optimal music education results, I also want to be able to show that same example in MIDI piano roll view too. Imagine if the Noteflight embed included a pane that showed this:

I Want You Back

Why is “I Want You Back” by the Jackson 5 such an uncontainable explosion of joy? It has the happiest chord progression ever, which I wrote about in a previous post. But the harmony is just the icing on the cake. The real heart of this tune is the groove. Let’s have a look! I …

Boogie Chillen

Here’s one of the heaviest and most wonderful recordings ever made. The song is so mysterious, so intense, so ancient-sounding yet so fresh. John Lee Hooker recorded it in 1948 at United Sound Systems in Detroit. (He re-recorded it many more times afterwards.) It went to number one on the R&B chart, which is pretty …

Oye Como Va

Santana’s recording of “Oye Como Va” is one of the most outrageous grooves I’ve ever heard. David Welna describes it as “a Cuban cha-cha composed by a Puerto Rican New Yorker and performed by a Mexican immigrant and his San Francisco rock band.” It’s red-hot from its opening seconds. As the organ starts the montuno, …

Swing primer

“It don’t mean a thing if it ain’t got that swing, doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah” – Duke Ellington Hear a seamless collage of several varieties of swing: Music Theory Songs by Ethan Hein Hear a track where the timefeel gradually changes from straight to swing and back. Here’s an explanation of …

Thelonius

If, like me, you are a Thelonious Monk fan, you will be sad to learn that this song has very little to do with Thelonious Monk. J Dilla compares his greatness as an emcee to Monk’s greatness as a pianist, and “Thelonious” kind of rhymes with “microphonist.” That’s the extent of the connection. Regardless, “Thelonius” …

Transcribing Lil’ Kim

Toni Blackman recommends a rap writing exercise: take an existing flow and replace the lyrics with your own. In order to do this with my music education students in the spring, I’m going to provide them with notated transcriptions as well as recordings. I’ve transcribed a couple of Toni’s recommended verses. The first was KRS-One’s …