Recently someone posted this performance of the Chaconne from Bach’s violin partita in D minor on an eleven-string guitar by Moran Wasser. My favorite interpretation by an actual violinist is Viktoria Mullova’s. I appreciate her straightforward and unsentimental approach. I also enjoy the version from Morimur, and I’m not alone. It’s one of the most …
Continue reading “Teaching myself the Bach Chaconne with Ableton Live”
My favorite Bob Dylan song is “It’s Alright Ma (I’m Only Bleeding.)” It’s not the one I listen to the most, and it’s not the one I’ve given the most effort to singing or playing. But it’s the one that sounds the most “Bob Dylan-y,” the one that combines all of his many influences into the …
I’m delighted to announce that my new online music theory collaboration with Soundfly is live. It’s called Unlocking the Emotional Power of Chords, and it gives you a practical guide to harmony for creators of contemporary pop, R&B, hip-hop, and EDM. We tie all the abstract music theory concepts to real-world musical usages, showing how you can …
Continue reading “New online music theory course with Soundfly!”
I’m working on a new music theory course with the good folks at Soundfly, a continuation of Theory For Producers. We were looking for contemporary songs that use modal interchange, combinations of different scales to create complex blends of emotion. Soundfly producer Marty Fowler suggested a Frank Ocean song, which I was immediately on board …
In college, I played in a cover band called Harsh Mouse (because the band members all lived in Marsh House.) One of the high points of our repertoire was this song.
The song’s subtitle refers in part to its childlike simplicity. Still, there’s more going on here than immediately meets the ear.
The opening riff to this Nirvana classic is a concise explanation of the concept of relative major and minor, and an object lesson in musical parallelism.
I’m working with Soundfly on the next installment of Theory For Producers, our ultra-futuristic online music theory course. The first unit covered the black keys of the piano and the pentatonic scales. The next one will talk about the white keys and the diatonic modes. We were gathering examples, and we needed to find a well-known pop song that …
The first song on Kanye West’s Life Of Pablo album, and my favorite so far, is the beautiful, gospel-saturated “Ultralight Beam.” Say what you want about Kanye as a public figure, but as a musician, he is in complete control of his craft. See a live performance on SNL. The song uses only four chords, but they’re …
I’ve said it before and will say it again: Björk is the best thing to happen to contemporary music theory education. No matter what weird scale you’re trying to teach, she’s used it in a catchy, memorable tune. “Possibly Maybe” uses two weird scales: Lydian mode, in the A section (the verses), and melodic minor scale, in …
