This is a picture of my electronic funk-soul-R&B band doing a show. From left to right, it’s Nicole Bishop, me and Barbara Singer. We were the whole band for that show. I did all the beats, samples and keyboards from my computer using a video game controller. Here’s a screenshot of the program that the …
Tag Archives: hip-hop
Can robots DJ?
Now that I have an office job, I’m spending a lot of time under headphones while I correct people’s grammar. It’s a good opportunity to explore the outer reaches of my music tastes. The office has some networked iTunes libraries heavy on the Pitchfork 500, and I have whatever I’m bringing from home. I’ve also …
Loop mode: improvisation is composition is recording
Before digital recording media, recording artists faced a tradeoff between spontaneity and perfection. Recording take after take until the performances are spotless can quickly suck the joy and energy out of the music. But the kind of sloppiness that goes unnoticed in a live performance can get on your nerves after many repeated listens. It’s …
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Auto-tune (is) the news
See a followup post on the Gregorys’ breakout hit, the “Bed Intruder Song.” The Gregory Brothers (including a sister-in-law) are musicians here in Brooklyn who have a series of videos called Auto-tune The News. Here are a selection of their better episodes as of this writing.
Biz Markie gets the copyright smackdown
Biz Markie. Who doesn’t love him? Our broken intellectual property system, that’s who. Biz belongs to the period in the late eighties and early nineties that many hip-hop heads refer to as the golden age. The tracks of this period were dense with samples and quotes, most of which were used without permission. Biz was …
Mashups as micro-mixtapes
Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a …
When The Levee Breaks
The drum intro from Led Zeppelin’s “When The Levee Breaks” is the perfect embodiment of The Awesome Majesty Of Rock. What makes John Bonham’s drums on this track so staggeringly heavy? Partially it’s his playing, and partially it’s the innovative production. Bonham’s performance was recorded by engineer Andy Johns in Headley Grange, a Victorian-era house …
Herbie Hancock gets future shock
Herbie Hancock is a musician’s musician. He pushed the boundaries of acoustic piano in the sixties. He found a uniquely personal voice on an array of synthesizers in the seventies. And in the eighties, he helped bring turntablism into the pop mainstream. People have been experimenting with recording playback devices as musical instruments for a …
Bad meaning good
“Peter Piper” is the leadoff track on Raising Hell, the third album by Run-DMC. It was their big commercial and critical breakthrough. My stepbrother Dan had it on cassette and it pretty much defined the sound of my sixth and seventh grade experience.
God don’t ever give me nothing I can’t handle, so please don’t ever give me records I can’t sample
The title is a lyric by Kanye West on Common’s track “They Say.” A hundred percent of my musical energy right now is coming from and going into sample-based music. To wit: Records I Can’t Sample [audio:http://ethanhein.com/music/Ethan_Hein_Records_I_Cant_Sample.mp3] Me vs Michael Jackson vs Herbie Hancock vs Missy Elliot vs Kanye West vs Fab Five Freddy mp3 …