Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class. This chapter addresses musical meaning and how it emerges out of context. More accurately, it addresses how every musical experience has many meanings that emerge from many contexts. Elliott and Silverman begin with the meanings of performance, before moving …
Tag Archives: jazz
Musical simple: Groove Is In The Heart
In college, I played in a cover band called Harsh Mouse (because the band members all lived in Marsh House.) One of the high points of our repertoire was this song.
Music education at the grownups’ table
I was asked by Alison Armstrong to comment on this Time magazine op-ed by Todd Stoll, the vice president of education at Jazz at Lincoln Center. Before I do, let me give some context: Todd Stoll is a friend and colleague of Wynton Marsalis, and he shares some of Wynton’s beliefs about music. Wynton Marsalis advocates for jazz as …
Victor Wooten teaches music teaching
Victor Wooten is an absurdly proficient bassist best known for his work with Béla Fleck and the Flecktones. There was a period in my life when the Flecktones’ music was my favorite thing in the world. That period is long behind me, but I have a lingering fondness for their amiably nerdy sound. Recently, I came across a TED talk that Vic …
Musical simples: Army Of Me
Björk did the music theory world a huge favor by writing a pop hit entirely in Locrian mode, since it’s really hard to find a good real-world example of it otherwise. You don’t see too many melodies written entirely, or even partially, in Locrian mode. It’s not a friendly scale. That mostly has to do with its …
The Great Cut-Time Shift
There has been a dramatic shift in American popular music’s grooves over the past sixty or so years. To understand it, you need to know what swing is. Here is a piece of music played without swing: Here is that same piece of music played with swing:
Compound musical simples
As I’ve been gathering musical simples, I’ve been trying to figure out the best way to categorize them. There are melodic simples, otherwise known as riffs, hooks, and licks. There are rhythmic simples, otherwise known as beats, claves, and rhythm necklaces. And then there are the simples that combine a beat with a melody. Alex …
Why do people think music should be free?
The best way to get a professional recording artist angry is to say that everybody has a right to download their music for free. The outrage is well-motivated. Recording music at the pro level is expensive, in time as well as money. Just because it’s easy to pirate music, why have we as a society …
Continue reading “Why do people think music should be free?”
Musical simples part two
Here’s an explanation for why I’m gathering these things. Wagner, “Ride of the Valkyries” I’m no great fan of Wagner, but there’s no denying that this is a killer hook. You don’t have much occasion to play in 9/8 time these days, but this melody can be adapted to fit 4/4 pretty easily. Also, because …
Musical simples
The NYU Music Experience Design Lab is putting together a new online music theory resource, and I’m writing a lot of the materials. We want to keep everything grounded in real-life musical practice. To that end, we’ve been gathering musical simples: phrases, riffs, and earworms that beginners can learn easily. My criteria for a good …