The trumpet player Nicholas Peyton wrote a blog post recently: On Why Jazz Isn’t Cool Anymore. It’s a must-read for anyone interested in the future of the art form. If jazz is ever going to be popular again, it needs to regain its cool. Jazz was popular when it was intimately connected to popular culture. …
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Ella Fitzgerald lost some of her range as she got older, but her soul and phrasing got deeper and deeper. The series of duet albums she did with Joe Pass late in her life are exquisite. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/dnYnpApOkQg” frameborder=”0″ allowfullscreen]
There’s a certain jazz lick that’s so heavily used that it’s just known as The Lick. It’s the only jazz lick I know of that has its own Facebook page. Here’s a greatest hits compilation: Update: now there’s a volume two!
For my tastes, you can’t beat the Ellington Nutcracker. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/ONknTGUckKc” frameborder=”0″ allowfullscreen] Ellington’s Peer Gynt suite is also pretty wonderful. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/1mne1rQ0rcw” frameborder=”0″ allowfullscreen] This one has inspired some remixing from me. [iframe_loader width=”100%” height=”166″ scrolling=”no” frameborder=”no” src=”http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F12726693&auto_play=false&show_artwork=true&color=ff7700″]
I know this melody as the cartoon snakecharmer song. Here’s a kid playing it on bass clarinet: I’ve always wondered where the Egyptian melody came from. It turns out to be hundreds of years of old, and goes by many different names. You can find an excellent capsule history of it in William Benzon’s book …
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For me it’s a tie between two John Coltrane recordings. First, the Complete 1961 Village Vanguard Recordings, featuring some of Eric Dolphy’s finest work.
The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you …
It’s hard to figure out what key a piece of music is in. There are a lot of conflicting answers from different music theory texts. To make matters worse, it’s not at all unusual for a song to change keys, even within a section or phrase. Even rock songs written by totally naive songwriters can …
The other night Anna and I went to see Beats, Rhymes And Life: The Travels Of A Tribe Called Quest.
Typical jazz compositions are written expressly as vehicles for improvisation. Mainstream jazz tunes since the 1940s take the form head-solos-head. The head is a written melody, and the solos are improvised around the chord changes of the head. Scores for these kinds of tunes take the form of lead sheets, like the ones found in …
Continue reading “How is it possible to compose jazz when improvisation is an essential component?”
