As I work toward my future book on the theory of groove-based music, I’m reading up on the existing literature. There is not a whole lot of it! Most of the scholarly work about groove is about the social side rather than the music side. That’s why I was excited to find Mark Abel’s book, …
Tag Archives: jazz
Human Behaviour
Here’s a Björk song that is both maddeningly catchy and relentlessly weird. That’s true of so many of them! This was the first single on Björk’s first solo album (as an adult.) It was a bold choice! It’s not the weirdest song on the album, but it is far from the most conventional. The video …
Betty Davis and the blues sus4
I heard this Betty Davis song while I was doing a shift at the Park Slope Food Coop and the guitar riff grabbed my ears. In this post, I explain why, and what the riff can tell us about blues harmony. First of all: is this music blues? You might argue that it’s a funk …
Lonely Woman
I have always had a hard time with Ornette Coleman, but I love “Lonely Woman”, because it manages to be both extremely weird and extremely catchy. Notice that at 2:09 during Ornette’s solo, someone goes “Woo!” Rightly so.
Erroll Garner meets the Carpenters
When I teach remixes in music tech class, I like to make the analogy to radical jazz arrangements of standards. Technically, John Coltrane’s version of “My Favorite Things” is not a remix of the version from The Sound of Music, but it occupies the same cultural role as a remix. (In fact, I just accidentally …
Dilla Time in “Chameleon”
After reading and re-reading Dan Charnas’ Dilla Time, now I’m listening to music with new attention to rhythmic subtleties. I have especially been digging into the relationship between J Dilla and Herbie Hancock–Dilla sampled Herbie on “Get Dis Money” and “Zen Guitar.” That digging made me go back to my favorite Herbie tune with fresh …
Watermelon Man
As part of my current J Dilla binge, I was excited to find a track where he flips a Herbie Hancock sample (no, not “Come Running To Me“, though that one is great too.) This sent me down a rabbit hole with “Watermelon Man.” This track has had quite a journey, both in its prehistory and …
Hear J Dilla flip a Gary Burton sample three different ways
While I await my copy of Dan Charnas’ book Dilla Time, I’m listening to lots and lots of James Dewitt Yancey. As I was poking around WhoSampled.com, I noticed that Dilla used a sample of Gary Burton in three different tracks in three consecutive years. It’s five seconds into Burton’s 1967 recording of Carla Bley’s …
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The diminished scale
When I want my music to sound mysterious, the diminished scale is a reliable tool in the harmonic toolkit. It worked for John Coltrane and Thelonious Monk, and it can work for you!
The whole tone scale
Like diminished chords, the whole tone scale is not very widely used, but when you need that specific vibe, nothing else will do. Whole tone scales are easy to understand, because there are only two of them total. Whichever key you are in, there is a whole tone scale that includes the tonic, and another …