In class we have been talking about secondary dominants, where you temporarily treat a chord as a new key center before returning to the main key. In a modulation, you move to a new key center and stay there (for a while, anyway). Modulations were a common songwriting technique in pre-rock popular music, and a …
Tag Archives: Louis Armstrong
Where do jazz standards come from?
My Song Factory class is coming up on the Standards and Showtunes unit, covering the Great American Songbook. I mainly relate to these tunes via jazz. In this post, I collect standards of the ones that appear in movie musicals, and I pair each one with a well-known jazz interpretation. (Note that most of these …
The microphone placement playlist
Last week in music tech class, we talked about audio recording, and how the placement of microphones relative to the voices or instruments can shape the sound of a recording. Mics don’t just pick up the sound of the voice or instrument itself. They also pick up the sound of the voice or instrument bouncing …
Nahre Sol introduces Billie Eilish to the classical canon
In this fascinating video, Nahre Sol composes accompaniment for an isolated Billie Eilish vocal in the styles of various canonical composers. The combination of Billie Eilish and Mozart is predictably weird, but not for any “musical” reason. There is not such a wide disconnect between Billie Eilish’s melody and classical music. The weirdness is due …
Continue reading “Nahre Sol introduces Billie Eilish to the classical canon”
Toni Blackman interview remix – What is hip-hop education?
For my dissertation on hip-hop educators, I’m creating a mixtape of remixed interviews with my research participants. Here I talk through the process of remixing an interview with Toni Blackman that I recorded on August 20, 2020 in Prospect Park. The remix is made from the eighteen most interesting/pertinent/relevant minutes of an hour and a …
Continue reading “Toni Blackman interview remix – What is hip-hop education?”
An intro to counterpoint
Counterpoint is a musical technique that combines two or more independent melody lines. It’s one of the characteristic sounds of Western classical music. Bach wrote a ton of it. But counterpoint isn’t always so complicated. Any song that has a vocal melody with a bassline underneath is an example of counterpoint. If you have ever …
What is polyphony?
The word is from Greek, “poly” meaning many and “phony” meaning voice. This is as opposed to monophony — one voice. Originally, polyphony literally meant multiple people singing together. Over the course of musical history, the term has become more abstracted, referring to multiple “voices” played on any instrument. And usually, polyphony means that the …
My top 100 jazz tracks
A while ago I wrote a post explaining how jazz works. In response, someone asked me to name my favorite hundred jazz tracks. So here’s my list. It’s totally subjective and necessarily incomplete, but I can guarantee that any of these tunes will make your life better. Hear them on Spotify.
Where does the “Egyptian” melody originally come from?
I know this melody as the cartoon snakecharmer song. Here’s a kid playing it on bass clarinet: I’ve always wondered where the Egyptian melody came from. It turns out to be hundreds of years of old, and goes by many different names. You can find an excellent capsule history of it in William Benzon’s book …
Continue reading “Where does the “Egyptian” melody originally come from?”
It don’t mean a thing if it ain’t got that swing
Today is the Fourth of July, and I can’t think of anything more patriotic than a post about our most significant contribution to world musical culture: swing. The title of this post refers to the classic Duke Ellington tune, sung here by Ray Nance. Check out the “yah yah” trombone by Tricky Sam Nanton. The …
Continue reading “It don’t mean a thing if it ain’t got that swing”