For our last day of pop aural skills class, I did a crash course on historical tuning systems. This involved a brief introduction to harmonics. As I was talking, I realized that my verbal explanation of this concept is still clunky and imprecise. This is a problem, because harmonics are important, not just for music …
Tag Archives: Miles Okazaki
Bemsha Swing
I have “Bemsha Swing” on the brain for no special reason. It’s one of Thelonious Monk’s most persistent earworms, and every once in a while it wakens from its dormant state to occupy my music circuitry for a week or two or three. When I am jamming on the guitar, my fingers constantly find their …
Blues harmony primer
For a more detailed and scholarly version of this guide with a bibliography, see my Blues Tonality treatise. See also this post on blues melodies. How do chords and scales work in the blues? Is there a “blues scale”, and if so, what notes does it include? What are blue notes? Why does it sound …
Remixing Monk vs covering Monk
I love Thelonious Monk more than just about any other musician in history. I enjoy learning and playing his tunes on the guitar, where they tend to sit well. I’m especially proud of my solo guitar arrangement of “Crepuscule with Nellie.” A jazz guitarist named Miles Okazaki, who is enormously better than me, also enjoys …