Making chords from scales

Jazz musicians think of chords and scales as two different ways of looking at the same thing: a group of pitches that sound good together. If you organize the pitches sequentially and play them one at a time, you get a scale. If you stack them up and play them simultaneously, you get chords. Here’s …

What even is digital art

The mighty river of social media recently brought an essay to my attention, The Arts Electric by Tom Uglow. His central point is that the computer has not yet fulfilled its potential as an art medium. I started out agreeing with him, and ended thinking he’s missing the point. Let’s dissect!

Music theory for the perplexed guitarist

I hear it all the time from my friends in the rock world, and see it all the time in internet discussions: guitarists are struggling with their music theory, or they’ve given up on it completely. This is not their fault! Music theory is taught pretty badly for the most part, and it rarely addresses …

Scale necklaces and symmetry

While I was doing some examination of rhythm necklaces and scale necklaces, I noticed a symmetry among the major scale modes: Lydian mode and Locrian mode are mirror images of each other. Does this geometric relationship mean anything musically? Turns out that it does. Lydian and Locrian are mirror images in feeling, not just as …

Beats and scales

I don’t know a lot about Afro-Caribbean rhythms, beyond the fact that they cause me intense joy whenever I hear them. My formal music education has focused almost exclusively on harmony, and I’ve had to learn about rhythm mostly on my own. That’s why it was so exciting for me to discover the work of …

How the heck do you know what scale you’re supposed to use for lead guitar?

There’s a broad diversity of harmonic practices being used out there in the world of blues-based popular music, rock in particular. While a given song may not use a lot of scales and chords, the relationships between those scales and chords is rarely simple or obvious. You really just need to learn all of them. …

Do you need music theory to create music?

This question gets asked a lot. It’s really four questions: 1) What is music theory? 2) Does music theory really teach you what music is? 3) Does music theory teach you how to create music? And 4) how do you learn music theory? Let’s take these questions one at a time.

How to tell funk from disco

Funk and disco overlap broadly, but they are not the same thing. Funk lovers like me instinctively know what the difference is. But how do we know? One thing we could do is point to the beat. Disco uses that iconic four-to-the-floor pattern, and funk doesn’t, so case closed, right? Well, it’s not so simple. …

What’s missing from music theory class?

In a recent comment, a reader posed a good question: I’m classically trained (I do recognize a blues progression when i hear it though) so i would like to hear more of your insights into the forms, styles and methods of pop music — your observation that “most of the creativity in pop lies in …

Pop musicians in the academy

Together with Adam Bell, I’m planning some in-depth writing about the phenomenon of pop musicians (like me) teaching in formal, classically-oriented institutional settings. This post is a loosely organized collection of relevant thoughts. What even is “pop music?” As far as the music academy is concerned, all music except classical or folk is “popular.” People …